Breaking Stereotypes

What Touring The U.S. Taught These Choreographers About Stereotypes and Prejudice

Vander Hoop and Clements driving down the highway. Photo by John Suhar

Sometimes as an artist, you need to leave the studio behind.

Just ask Summation Dance co-founders Taryn Vander Hoop and Sumi Clements. In 2016, the U.S. election was dominating the air waves just as they were finishing their company's fifth season in New York City. Feeling burned out by the assembly-line-like hustle of pumping out new work, they decided to hit the road.


Clements takes to the road. Photo by John Suhar

"We were looking at the divisiveness we saw happening," says Clements, "and thought it was an appropriate time to go interact with people who inhabit this country who are very unlike ourselves, and give them a voice by presenting anything they wanted to share."

The goal of their HabitUS project is to create an evening-length work that incorporates interview footage and soundbites from the people they meet.

So far, they've traveled to 14 states, organizing the tour around a series of university residencies. In each place they visit, they engage with the local community.

So what have been the biggest surprises so far?

Kentuckians Pointed Out The Power of Speech

Working with college dancers in Kentucky. Photo by John Suhar

In Kentucky, Vander Hoop and Clements had fun asking residents whether they considered themselves to be part of the North or the South. The answer changed every time.

But locals pointed out something even more elemental: "How we in New York speak and understand words is not how people in Kentucky would understand those same words," says Clements. They found out that when a politician gives a speech, what's said reads very differently in different parts of the country.

North Carolina Taught Them That Sticking Around Can Lead To Connection

A pro-life rally in North Carolina. Photo by Taryn Vander Hoop

Last month, the choreographers attended a pro-life breakfast rally and march in North Carolina. "We wouldn't normally attend an event like that in New York," says Vander Hoop. But once they got there, they realized they were surrounded by people who reminded them of their own friends.

"We stayed after the march and ended up having an amazing conversation with a man who explained his stance in a way that made total sense, even if we didn't agree," says Vander Hoop. "The moments of connection that happen after an event is over are often more magical than during the event."

Texas Overturned Their Assumptions About Trump

The choreographers and their camper van in Texas. Photo by John Suhar

In the border town of Laredo, Texas, Vander Hoop was surprised to learn just how narrow the Rio Grande is. "You can have a conversation with someone in Mexico very easily!" she says.

Even more shocking? Many of the Mexican immigrants they met supported Donald Trump because they didn't identify as the Mexicans he had disparaged during the election. "We learned that they were prejudiced against other Mexicans, just as society as a whole is prejudiced against each other," says Clements.

The Trip Has Changed The Way They Think About Stereotypes

Music on the streets of New Orleans. Photo by John Suhar

"With contact grows empathy," says Clements. "Part of the reason this country has so much division is that we don't have contact with each other."

Getting to meet people and turn strangers into friends has given them new perspective. "This country relies on categorizations—black/white, right/wrong—that make us unable to have productive conversations and listen to each other," says Vander Hoop. They've realized that when we understand other people as more than an oversimplified category, more often than not, we begin to find common ground.

Follow more of Clements' and Vander Hoop's adventures—and hear from people they've interviewed—on their blog.

The Conversation
Rant & Rave
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT

Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.

While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.

Keep reading... Show less
Dancers Trending
Courtesy Davies

In dance, we sometimes hear of a late bloomer who defies the odds. Or of dancers who overcome incredible injuries to return to the stage.

But both? That's not a story we hear often. That is, however, Darla Davies' story, one that she tells in her recent book Who Said I'd Never Dance Again? A Journey from Hip Replacement Surgery to Athletic Victory. Davies, who is now 61, started her ballroom dance training just twenty years ago, and has won two U.S. championships—one of which she earned after a hip replacement.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox