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Gina Gibney runs two enormous dance spaces in New York City: Together they contain 23 studios, five performance spaces, a gallery, a conference room, a media lab and more. Gibney is now probably the largest dance center in the country. It's not surprising that Dance Magazine named Gina Gibney one of the most influential people in dance today.
Since starting his company in 1968, Lar Lubovitch has stood at the forefront of modern dance—although he is hesitant to label his work as "modern."
"I've always felt I've been making dances," he says. "I've always called them dances and I've never been one to exclude any language of movement. When I'm making a dance it's sort of an essay of all the movement I have in my body of all the dance I've studied."
After 50 years of creating dances, his work is still as technical and humanistic as ever.
These days, more and more museums are inviting dancers to liven up the art that's on the walls and pedestals. The New Museum, on the border of SoHo and the Lower East Side, has designated a special room for live events called the South Galleries. Every day for two months, ending April 15, this gallery is home to Co-natural, a mesmerizing performance exhibition by Romanian choreographer Alexandra Pirici (pronounced Pireech). She is acclaimed in Europe and makes her U. S. debut with this exhibit. Included is a life-size hologram that really looks like another person. If you spend some time wandering around in the gallery, you start to see congruencies between the gestures of the live performers and the not-quite-live hologram. And you start to wonder about the stamina of the dancers, who are there, as moving sculpture, all day long (with a few breaks).
The much-anticipated Martha Graham Dance Company season at New York City Center is upon us. From April 11–14, the company will present classics like Chronicle, the sly melodrama Embattled Garden and of course Graham's visceral masterwork The Rite of Spring. This season also includes works by internationally acclaimed choreographers Lucinda Childs, Lar Lubovitch and Sidi Larbi Cherkaoui.
We sat down with Graham artistic director Janet Eilber to talk about bringing back older Graham works, working with new choreographers and what Martha would have to say about today's wave of feminism.
Raja Feather Kelly's gender-bending, race-flipping and thought-provoking work Another Fucking Warhol Production or Who's Afraid of Andy Warhol?—now titled The Love Episode (Another Fucking Warhol Production)—is making its way back to the stage. Kelly's company, the feath3r theory, will be performing the revived work at Dance Place in Washington, D.C. on April 21 and 22. Per usual, the music will make you want to stand up in your seat and dance your pants off, but it's not a show you'll want to bring the kids to.
We stepped into the studio with Kelly to talk love, money and his fascination with Andy Warhol.
Dance Theatre of Harlem is busy preparing for the company's Vision Gala on April 4. The works on the program, which takes place on the 50th anniversary of the assassination of Dr. Martin Luther King Jr., reflect on the legacy of Dr. King and his impact on company founder Arthur Mitchell. Among them is the much-anticipated revival of legendary choreographer Geoffrey Holder's Dougla, which will include live music and dancers from Collage Dance Collective.
We stepped into the studio with Holder's wife Carmen de Lavallade and son Leo Holder to hear what it feels like to keep Holder's legacy alive and what de Lavallade thinks of the recent rise in kids standing up against the government—as she did not too long ago.
Stephen Petronio brings a bracing season to New York City's Joyce Theater, where he has performed almost every year for 24 years. His work is exciting to the subscription audience as well as to many dance artists. He delves into movement invention at the same time as creating complex postmodern forms. The new work, Hardness 10, is his third collaboration with composer Nico Muhly. The costumes are by Patricia Field ARTFASHION, hand-painted by Iris Bonner/These Pink Lips. Petronio's work still practically defines the word contemporary.
Stephen Petronio Company also continues with its Bloodlines series. That's where he pays homage to landmark works of the past that have influenced his own edgy aesthetics. This season he's chosen Merce Cunningham's playful trio Signals (1970), which will be performed with live music from Composers Inside Electronics.
Completing the program is an excerpt from Petronio's Underland (2003), with music by Nick Cave. Video footage courtesy of Stephen Petronio Company, filmed by Blake Martin.
Meredith Monk is a choreographer, composer and interdisciplinary artist who takes us back to the most elemental forms of what it is to be human. Experiencing her work is almost like you're hearing an oracle. Krista Tippett, the host of NPR's On Being, said, "Meredith Monk makes music and theater that feels edgy and ancient at the very same time."
For Cellular Songs, which premieres at the Brooklyn Academy of Music's Harvey Theater on March 14, the press release says, "Monk looks to underlying systems in nature that can serve as a prototype for human behavior in our tumultuous world."
The cast of five women is joined by ten singers from the Young People's Chorus of New York City.