Marion-Skye Brooke Logan in "Eomeoni."

This minimalistic video by Kathy Escobar features Marion-Skye Brooke Logan dancing around a dark studio through a blend of classical ballet and modern movements. Often she appears to be reveling in her instinctive contractions and repetitive bourrée. Other times it is as if she is battling something from within. The music is Violin Concerto Mouvement. IV by Unsuk Chin played by Viviane Hager.

“Eomeoni" by Marion-Skye youtu.be

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What Wendy's Watching
Concert #13, A Collaborative Event, Judson Dance Theater, 1963. PC Peter Moore, Courtesy MoMA

In the early 1960s, a group of dancers started questioning the existing rules of choreography. Influenced by John Cage, they created dances that were startling in their simplicity and risk-taking. Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Elaine Summers and Lucinda Childs were all part of this group. Most of them had studied or danced with Anna Halprin or Simone Forti. Visual artists like Robert Rauschenberg and Alex Hay were part of this cauldron of experimentation as well as composer Philip Corner.

The Museum of Modern Art has mounted an expansive exhibit called "Judson Dance Theater: The Work Is Never Done." It gathers photos, artwork, scores, objects and films that bring the period alive. If you get there before January 16, you'll see the films of Brown's early work. Her piece Walking on the Wall was so disorienting that it was almost hallucinatory. (Actually, this film and most of the Brown pieces are from the 70s.) Playing with perception was a big part of the Judson and post-Judson eras.

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In The Studio
Martha Graham Dance Company in rehearsal for a new work by Bobbi Jene Smith and Maxine Doyle. PC Kelsey Grills.

In a sun-soaked studio in Manhattan, members of the Martha Graham Dance Company (all women) lie on the floor with their feet and heads hovering off the ground. Choreographer Bobbi Jene Smith encourages the dancers to be unapologetic about being looked at as their bodies begin to tremble with exhaustion and they move into a new formation.

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"Color Us With Sounds" choreographed by Jegor Gordejev, aka b-boy Ego, featuring Gordejev and Andrey Zhilsky.

This exciting collaboration between b-boy Jegor Gordejev, aka Ego, and composer Andrey Zhilsky takes us on a journey of movement and music. The video features Gordejev and Zhilsky creatively break-dancing around a stark white room with guitars.

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