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Watch Now: Two Short Films From Ballet Across America

Ballet lovers everywhere are dreaming of DC this week: Ballet Across America is taking over the Kennedy Center with help from two of ballet's favorite stars, Misty Copeland and Justin Peck.

But no matter where you are, you can still catch a taste of the festival. In addition to all the live performances, the Kennedy Center also commissioned a pair of short films by filmmaker (and former Miami City Ballet dancer) Ezra Hurwitz. Both premiered during the opening night celebration on Monday.


We love how the first, choreographed by Marcelo Gomes, explores the regal expansiveness of the iconic performing arts center by capitalizing on the gorgeous movement of five stars from American Ballet Theatre.

The second is a moving glimpse into the lives of some top students from ABT's Jacqueline Kennedy Onassis School as they rehearse for their Kennedy Center debut (which also took place on Monday) and struggle to "make it" in the ballet world.

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Health & Body
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Essential oils sometimes get a bad rap. Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do. But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.

How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:

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Photo by Howard Sherman, Courtesy SDC

Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."

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