Watch the Routines That Just Won Two Choreographers Emmy Awards
No, you didn't miss the Emmy Awards telecast. (It's next weekend.) The Creative Arts Emmys, on the other hand, were awarded yesterday, including the Emmy Award for Outstanding Choreography. Among the nominees were "Dancing With the Stars" favorite Derek Hough, "So You Think You Can Dance?" contestant-turned-choreographer Travis Wall, surprise contender Fred Tallaksen for comedy "The Real O'Neals" and commercial dance juggernaut Mandy Moore, who grabbed two nominations for both "DWTS" and "SYTYCD."
And in a delightful twist, there was a tie in the voting for this juried category, meaning not one, but two of these choreographers went home with a statuette: first time winner Mandy Moore (for "DWTS") and Travis Wall, who previously won in 2015. Moore was nominated specifically for her group routines "On Top of the World" and "Carol of the Bells," while Wall was recognized for two duets ("The Mirror" and "She Used to be Mine") and a group routine ("Send in the Clowns").
Are we surprised? Not really. Moore has had a breakout year, propelled in part by the critical and commercial success of La La Land, and Wall has been making beautiful (if occasionally controversial) short pieces for "SYTYCD" for years. Check out their winning routines below, and join us in wishing them both a hearty congrats!
Mandy Moore: "On Top of the World"
Mandy Moore: "Carol of the Bells"
Travis Wall: "The Mirror"
Travis Wall: "Send in the Clowns"
Travis Wall: "She Used to be Mine"
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.
Michele Byrd-McPhee's uncle was a DJ for the local black radio station in Philadelphia, where she was born. As a kid she was always dancing to the latest music, including a new form of powerful poetry laid over pulsing beats that was the beginning of what we now call hip hop.
Byrd-McPhee became enamored of the form and went on to a career as a hip-hop dancer and choreographer, eventually founding the Ladies of Hip-Hop Festival and directing the New York City chapter of Everybody Dance Now!. Over the decades, she has experienced hip hop's growth from its roots in the black community into a global phenomenon—a trajectory she views with both pride and caution.
On one hand, the popularity of hip hop has "made a global impact," says Byrd-McPhee. "It's provided a voice for so many people around the world." The downside is "it's used globally in ways that the people who made the culture don't benefit from it."