What to Watch: Inside the Life of an ABT Studio Company Dancer
If you've ever wondered what it's like to be a member of American Ballet Theatre's Studio Company, you're in luck. The latest episode of "No Days Off," a documentary web series profiling young and inspiring athletes, spotlights 17-year-old Joseph Markey, a first-year Studio Company member. The doc not only underscores the physical aspects of Markey's training, but also the artistic refinements he must make on his road to becoming a professional dancer.
17-Year-Old Is The FUTURE of Dance www.youtube.com
Twice a week, Markey starts his day with an intense strength and conditioning class. Supplementing his ballet training with aerobic and agility exercises (think jumping rope, line drills and rope ladders) helps him build the core strength necessary for a full day of dancing. After technique class, we see him rehearsing with famous ABT luminaries like Ethan Stiefel, Sascha Radetsky and Gillian Murphy. They provide not only thoughtful coaching, but a huge dose of inspiration. "Just being around them every day, I feel, has helped me improve," Markey says in the episode.
He's also getting the chance to refine his partnering skills as he and fellow dancer Chloe Misseldine rehearse Don Quixote. "Joseph is already is on top of things," says Radetsky, the Studio Company's artistic director, in the video. "He has an innate sense of partnering: where the ballerina needs to be, where her weight is, coordination." That said, Markey, who is nursing a strained bicep, must also learn how to work smart so that he doesn't aggravate his injury.
"No Days Off," produced by Whistle Sports, does a great job of educating general audiences about these young artist-athletes' grueling regime. As Radetsky puts it: "These dancers are ballet's versions of Olympians, our art form's top prospects—each of them hoping to be drafted into the major leagues at American Ballet Theatre."
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.