Five dancers and a hologram in Co-Natural. Photo by Julieta Cervantes

What Wendy's Watching: A Ghostly Exhibit at The New Museum

These days, more and more museums are inviting dancers to liven up the art that's on the walls and pedestals. The New Museum, on the border of SoHo and the Lower East Side, has designated a special room for live events called the South Galleries. Every day for two months, ending April 15, this gallery is home to Co-natural, a mesmerizing performance exhibition by Romanian choreographer Alexandra Pirici (pronounced Pireech). She is acclaimed in Europe and makes her U. S. debut with this exhibit. Included is a life-size hologram that really looks like another person. If you spend some time wandering around in the gallery, you start to see congruencies between the gestures of the live performers and the not-quite-live hologram. And you start to wonder about the stamina of the dancers, who are there, as moving sculpture, all day long (with a few breaks).


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Erik Tomasson, Courtesy SFB

Cathy Marston Talks Literary Adaptations, Dream Projects and Dance Criticism

Prolific director-choreographer Cathy Marston has made story ballets chic again. Last year began with Marston poised to make a big splash in the U.S., with plans for new creations at The Joffrey Ballet (Of Mice and Men) and San Francisco Ballet (Mrs. Robinson, based on The Graduate), following up remounts at American Ballet Theatre and The Joffrey of her Jane Eyre. With both premieres delayed by the pandemic—even SFB's planned digital debut of Mrs. Robinson this month has been replaced by a webcast of her 2018 Snowblind—Marston continues to work remotely and even started a project-based company in partnership with choreographer Ihsan Rustem.

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February 2021