Women Choreographers Rule at Ailey Next Week
Just in time for its summer season at Lincoln Center, the dancers and management of Alvin Ailey American Dance Theater have settled their issues surrounding the performers' union contracts. Now that they've reached a new collective bargaining agreement, the dancers can sail into this weeklong season of nine ballets. (Well, maybe not sail, since this is some of the hardest repertory on earth.)
The first is sweet, sensual and inventive. Watching this video clip of Jamison's piece, gorgeously danced by Jamar Roberts and Jacqueline Green, makes you feel like you're falling in love too.
The second piece is hard-hitting. It takes guts to put a gritty reality onstage when you know that people go to the theater—especially Lincoln Center—just to sit back and enjoy themselves. Zollar reveals the rage and exhaustion of people in this situation and, at the same time, uncovers a kind of sisterhood among them.
Also on the program is a world premiere by Jessica Lang, EN, that is influenced by Japanese culture.
Work by one more woman choreographer appears in this season—Twyla Tharp. Her magnificent Golden Section, originally the finale of The Catherine Wheel (1983), rides along on an exciting momentum of split-second tosses and falls to music by David Byrne. It's fast and furious, with an array of near collisions. It shares a program with Roberts' recent Members Don't Get Weary, which we visited in rehearsal last fall.
For more information on this five-day season, June 13–17, click here.
I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Social media has made the dance world a lot smaller, giving users instant access to artists and companies around the world. For aspiring pros, platforms like Instagram can offer a tantalizing glimpse into the life of a working performer. But there's a fine line between taking advantage of what social media can offer and relying too heavily on it.