Women Choreographers Rule at Ailey Next Week
Just in time for its summer season at Lincoln Center, the dancers and management of Alvin Ailey American Dance Theater have settled their issues surrounding the performers' union contracts. Now that they've reached a new collective bargaining agreement, the dancers can sail into this weeklong season of nine ballets. (Well, maybe not sail, since this is some of the hardest repertory on earth.)
The first is sweet, sensual and inventive. Watching this video clip of Jamison's piece, gorgeously danced by Jamar Roberts and Jacqueline Green, makes you feel like you're falling in love too.
The second piece is hard-hitting. It takes guts to put a gritty reality onstage when you know that people go to the theater—especially Lincoln Center—just to sit back and enjoy themselves. Zollar reveals the rage and exhaustion of people in this situation and, at the same time, uncovers a kind of sisterhood among them.
Also on the program is a world premiere by Jessica Lang, EN, that is influenced by Japanese culture.
Work by one more woman choreographer appears in this season—Twyla Tharp. Her magnificent Golden Section, originally the finale of The Catherine Wheel (1983), rides along on an exciting momentum of split-second tosses and falls to music by David Byrne. It's fast and furious, with an array of near collisions. It shares a program with Roberts' recent Members Don't Get Weary, which we visited in rehearsal last fall.
For more information on this five-day season, June 13–17, click here.
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?