Who We Missed: The "Most Influential People in Dance" Chosen By You!
As soon as we started putting together a list of the most influential people in dance today, we knew two things. By the very nature of the topic we were tackling, our final list was going to be:
1. Entirely subjective, and
2. By no means comprehensive.
We wanted to get your input and hear who else you felt should be on the list. So we asked you who we missed, and here's what you told us through email, Facebook and Twitter:
You missed Irina Kolpakova, ballet mistress/coach at American Ballet Theatre for many, many years. Ms Kolpakova has mentored the best of ABT's ballerinas—Susan Jaffe, Alessandra Ferri, Irina Dvorovenko, Gillian Murphy, Isabella Boylston, so many more. Once a stunning dancer with the Kirov, she has brilliantly passed along her unique experience and knowledge to generation after generation of fortunate ABT dancers. She is a treasure. —Susan Peters
Irina Kolpakova. Photo by Renata Pavam
Marcia Dale Weary Dozens of professional dancers dancing right now due to her 60 years of teaching... She is a legend... —Jennifer Clair
I would love to see Christopher Wheeldon on this list. His choreography for An American In Paris is fabulous, and he has been busy creating other works like Alice's Adventures in Wonderland and more. —Hope Daniel
In my opinion I would add Annabelle Lopez Ochoa. She was just working with the Estonian National Ballet, but has choreographed and set her own work with companies like New York City Ballet, English National Ballet, West Australian Ballet, Washington Ballet, Ballet Flanders, Joffrey Ballet, Ballet Hispánico, Ballet Black, Dutch National Ballet, Cincinnati Ballet, among so many others, including South American companies. She will be working with San Francisco Ballet in the upcoming season. I could go on and on about various nominations that she has received, and places like Cuba where she's worked with the National Ballet of Cuba as well as Danza Contemporánea, their modern company. Her work goes from beautiful to messy and chaotic; she's amazing. —Ana Gallardo
On behalf of the Children's Museum of Manhattan, please consider including Jody Arnhold. As a dance philanthropist, dance educator and advocate, Jody is in a class of her own. Her establishment of the Dance Education Lab at the 92nd St Y, the Arnhold Graduate Dance Education Program at Hunter and the soon to open Dance Education Graduate Program at Teachers College combined with her production of the documentary PS Dance! establishes her as an essential and key person in dance. —Nina Olson
Damian Woetzel (Aspen Institute Arts Program, Kennedy Center DEMO Series, incoming Juilliard president, etc.), Jody Arnhold (dance education), the dance curator at Museum of Modern Art, Gia Kourlas (her Instagram videos forThe New York Times are hugely popular), Bill T. Jones, Mark Morris —Nancy Dalva
I would add Camille A. Brown, Kyle Abraham and Jacob's Pillow —Eric Politzer
Camille A. Brown! —Emma Blue Russo
Camille A. Brown, Darrell Moultrie, Sidra Bell, Kyle Abraham —La Vie
I would add Olivier Wevers of Whim W'Him, but not simply because of his choreography, but starting a company that upholds dancers and brings choreographers from all over to create. "R shin dig" when the dancers choose the choreographers is very special and I hope the direction of companies. —JC Mitchel
Please consider adding Mavis Staines to this list for her leadership in dance training, dance teaching, dance accessibility —@ballet2treasure
Where is Mavis Staines???? Amazing and wonderful director and person!!!! —David Peden
Mavis Staines. Photo via prixdelausanne.org
Missing Crystal Pite —@GenVP
Where is the Asian/Asian America representation? Cultural amnesia. Nor Maggie Allesee? You got Glorya Kaufman while Maggie has a national choreographic center with a vital laboratory for dance!!! —Jeff Michael Rebudal
How about some tap! Anthony Morigerato to name just 1! –Billie Giberson Moloney
What? No William Forsythe? He has influenced most of the others, and his influence is still very much today, alive, right now!!!! World class…still. —Jesse Read
Some comments have been edited for clarity.
When a musical prepares to make the transfer from a smaller, lesser-known venue to Broadway (where theaters hold 500-plus seats), often there's a collective intake of breath from all involved. After all, a bigger house means more tickets to sell in order to stay in the black, and sometimes shows with even the most tenacious fan bases can't quite navigate such a jump. But what about the transfer from stage…to screen? Is Broadway ready to be consumed from the comfort of your couch?
The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.
Daphne Lee was dancing with Collage Dance Collective in Memphis, Tennessee, when she received two difficult pieces of news: Her mother had been diagnosed with multiple myeloma cancer, and her father had Parkinson's disease, affecting his mobility and mental faculties.
The New Jersey native's reaction: "I really need to move home."
Summer is almost upon us, and whether you're a student about to go on break or a pro counting the days till layoff, don't forget that with warm weather comes a very serious responsibility: To maintain your cross-training routine on your own.
Those of us who've tried to craft our own cross-training routine know it's easier said than done. So we consulted the stars, and rounded up the best options for every zodiac sign. (TBH, you should probably consult an expert, too—we'd recommend a physical therapist, a personal trainer or your teacher.)
It's not often that a promising choreographer gets to stage work in a world-class theater, on a skillfully-curated program with professional dancers, and with the possibility of winning a substantial cash prize. But at the McCallum Theatre's Palm Desert Choreography Festival, that's been the status quo for over twenty years.
Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.
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It's become second nature in dance studios: The instant anyone gets hurt, our immediate reaction is to run to the freezer to grab some ice (or, more realistically, a package of frozen peas).
But as routine as icing our injuries might be, the benefits are not actually backed up by scientific studies. And some experts now believe icing could even disrupt the healing process.
I'm a contemporary dancer, and I'm nervous about trying to get pregnant since I can't predict if it might happen during the middle of the season. We have a union contract that is supposed to protect us. But I'm scared because several of my colleagues' contracts weren't renewed for no particular reason. Having a big belly could be a big reason to get rid of me!
—Andrea, New York, NY
When the going gets tough, the tough start dancing: That's the premise behind "Dance of Urgency," a recently opened exhibit at MuseumsQuartier Vienna that features photos, video and other documentary material relating to the use of dance as political protest or social uprising.
The groups featured in the show, largely based around clubs and electronic dance music scenes, span the globe and respond to a variety of issues—from inequality and social stratification to racial divides to crackdowns on club culture itself.
Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.
The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.
As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:
When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.
The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."
Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.
What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.
On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's first homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.
Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.
When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.
The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.