An Unexpected (But Surprisingly Appropriate) Career Transition: From Dancer to Pro Wrestler
Although the dance world has its fair share of divas, there is a different type of diva that's coming out of the dance studio.
"Diva" is the coined term for a female professional wrestler in the World Wrestling Entertainment organization. More than a few dancers—as well as gymnasts and cheerleaders—have taken their training and applied it to successful careers in this comical yet physically grueling art form.
Dance-offs are all part of the fun and games
Newsflash: It's not all Hulk Hogan-style gimmicks.
Despite its reputation, professional wrestling is more similar to the dance world than you might think. It has a mix of intricate physicality and partner work with high levels of performance and storytelling.
Although wrestling is generally regarded as fake, a better description might be "scripted." Yes, the storylines are planned out, but the physicality is real. Professional wrestlers flip, dive, jump and fall—having undergone grueling training similar to that of dancers.
Professional wrestling has a huge cult following, viewed by millions of fans around the world. But a lot has changed since the 1980s golden age. It's no longer about over-the-top gimmicks and steroids. Today the WWE is comprised of some of the world's fittest athletes, including Ronda Rousey, an Olympic medalist and UFC Hall of Famer.
Professional wrestling is also currently in its self-proclaimed "women's evolution" era. WrestleMania, the super bowl of wrestling, featured a female matchup as its main event this year, the first time in its 35-year history.
Wrestling offers a new kind of performance venue.
"Naomi," aka Trinty Fatu, one of the top WWE Divas, used to be a backup dancer for hip hop artists like Flo Rida, and she performed with the Orlando Magic Dance Team. One day, the WWE came to the Orlando Magic's arena and she saw their show.
"When I saw the women perform, I was in awe," she says. "I didn't know much about wrestling, or even that women could do it." She realized it could be a perfect mix for her dance training and love of performance and athleticism.
Fatu does not shy away from her dance past. Like most dancers-turned-wrestlers, she uses her dance skills in her dramatic entrances into the stadium.
"When I first debuted, dancing was part of my gimmick and my character. It has helped me so much with wrestling," she says. Sometimes she even wears her dance uniform for matches. In-ring dance-offs between rivals are also common, such as the duel between Fatu and her noted rival and fellow dancer "Lana," aka Catherine Joy Perry.
Dancers may find the environment feels familiar—just less graceful.
Performance is an essential part in the training of professional wrestlers, which is echoed through its many reality wrestling competition shows. Two-time championship winner "Layla El"—a former dancer with Kayne West, P. Diddy and John Legend—was swept up in the world of WWE when she was convinced to try out for the WWE Diva Search in 2006. Although she did not win on the reality competition show, she was a fan favorite, and in the end, was offered a contract.
The family-like atmosphere of wrestling also feels familiar for dancers. "Coming from the dance world, you have to deal with locker room etiquette, big groups of girls and knowing how to respect each other," says Fatu. "To be able to get along with so many other different women and personalities, it's not always easy. I feel that is something that people struggle with more so than the physical part. I've just always been in that environment, so it wasn't a hard transition for me."
Fatu's advice for dancers interested in making the jump to wrestling? "I think dancers make the best wrestlers. The only hard part is, when you get to wrestling, it's time to not be as graceful. You have to become the complete opposite of graceful. But I think dancers pick it up quicker than anyone else."
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?