How 20 Years of Youth America Grand Prix Has Changed Ballet, By the Numbers
Since its inception in 1999, Youth America Grand Prix has grown to have an outsize impact on the ballet world, with more than 450 alumni now dancing with 80 companies across the globe.
In the last two decades, the student competition has:
- facilitated more than $4 million in scholarships.
- hosted auditions in 15 countries.
- welcomed 100,000 dancers to competitions, classes and auditions.
Aspiring pre-professionals and alumni will descend upon New York City for YAGP's 2019 Finals, April 12–19. It's the culmination of a banner 20th-anniversary season that saw more than 10,000 dancers participate in 27 regional and 10 international semifinals. This year's "Stars of Today Meet the Stars of Tomorrow" gala will notably feature YAGP alums from American Ballet Theatre in a new work by Melanie Hamrick, set to a Mick Jagger–curated selection of music by The Rolling Stones.
And on April 20, the International Dance School Festival, a performance showcase newly added this year, will give finalists a glimpse of some of the top-tier schools that regularly award scholarships to YAGP competitors.
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What happens during a performance is the product of the painstaking process of realizing an artistic vision. Whether held beforehand, afterward, offsite or online, audience discussions tend not to be so preordained, easily thrown off track without a skilled moderator at the helm.
"I'm someone who dreaded talkbacks and Q&As," admits Bill Bragin, former director of public programming at Lincoln Center. "While I was in New York, a lot of the time it was just audience members trying to show off how smart they were."
These events present a pile of difficult questions: How much do you reveal about a piece before it's shown? How can a conversation designed to hit key points feel casual and spontaneous? How do you cater to the needs of diverse attendees, from novice dancegoers to lifelong fans to scholars and critics? And how do you avoid smothering dance with language, flattening all its complexity?
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.