Guides & Resources

College Guide

Don't know where to begin your college search? You'll find everything you need in the all new, updated Dance Magazine College Guide 2017/2018! With 628 college & university dance programs, the College Guide is everything you need to make your college decision.

  • Dance degree spotlights
  • Student perspectives on college life
  • Best questions to ask on your college tour
  • Financial advice: How to get funding, and where
  • Plus: Helpful charts, timelines, contact details and much more!

Search for colleges online here

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A grant from the NEA helped Miami City Ballet present its centennial celebration of Jerome Robbins. Photo by Kyle Froman, Courtesy MCB

The fate of the National Endowment for the Arts has had us on tenterhooks (and off...and on again) since the election of Donald Trump. (Actually, we've been on and off tenterhooks about it more or less since it was founded.)

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Dance As Activism
via YouTube

You don't need to convince us that dance can be a powerful vehicle for change. But in case you had any doubts, Dance Theatre of Harlem's new promotional video is all the proof you need. As part of their 2018 New York season, DTH will be hosting a gala on April 4 to commemorate the 50th anniversary of the assassination of Dr. Martin Luther King Jr. (this inspired the founding of the company by Arthur Mitchell and Karel Shook less than a year after his death).

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What Dancers Eat
Pizza can be an excellent recovery meal after a hard day of class and rehearsal. Photo by Thinkstock

Raise your hand if you've ever walked out of the studio with just one thought on your mind: a big, juicy cheeseburger. But raise your other hand if instead of getting that burger, you opted for a hearty salad or stir-fry.

While dancers need to fuel their bodies with nutrient-dense meals and snacks, plenty of foods get an unfair bad rap. "The diet culture in this country vilifies various food groups as being bad while championing others as good," says Kelly Hogan, MS, RD, CDN, clinical nutrition and wellness manager at the Dubin Breast Center at Mount Sinai Hospital in New York City. "But black-and-white thinking like that has no place when it comes to food."

Some foods have less nutrition than others, admits Hogan, but if you're eating what you crave and honoring your hunger and fullness cues, she says you'll probably get the variety of nutrients your body needs. Here are seven foods that can have a place on your plate—guilt-free.

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Health & Body
Via Instagram

When you spend as much time on the road as The Royal Ballet's Steven McRae, getting access to a proper gym can be a hassle. To stay fit, the Australian-born principal turns to calisthenics—the old-school art of developing aerobic ability and strength with little to no equipment.

"It's basically just using your own body weight," McRae explains. "In terms of partnering, I'm not going to dance with a ballerina who is bigger than me, so if I can sustain my own body weight, then in my head I should be fine."

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Alvin Ailey's life and groundbreaking work are coming to the big screen. Photo courtesy Ailey Archives.

There must be something in the water: Last week, we announced that Madonna is directing Michaela DePrince's upcoming biopic. And yesterday, we got wind of another major dance film: According to The Hollywood Reporter, Fox Searchlight has sealed the deal to make Ailey Ailey's life and work into a movie. Yes, please.

While some movies falter along their way to the big screen, we think this one's got legs (and hopefully a whole lot of lateral T's and hinges and coccyx balances, too). Why?

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John Heginbotham never walks into rehearsal unprepared. Photo by Janelle Jones, courtesy the Watermill Center

Back in 2012, after 14 years dancing with Mark Morris Dance Group, choreographer John Heginbotham ventured out on his own. Don't think of it as going solo, though.

Almost from the outset, Heginbotham has embarked on a series of fruitful collaborations with other artists, via his namesake company, Dance Heginbotham, and through a stream of independent projects. His creative partners have covered a range of talents and genres: illustrator Maira Kalman (in 2017's The Principles of Uncertainty), opera director Peter Sellars (for Girls of the Golden West, which debuted at San Francisco Opera in November), and contemporary-music luminaries such as Tyondai Braxton and Alarm Will Sound.

Here's What He Has To Say: About starting his company, his rehearsal process and why he's drawn to creative mash-ups.

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Photo by Hugo Glendinning, Courtesy Sadler's Wells

Ten years is a long time for a dance production to run, but Sidi Larbi Cherkaoui's Sutra, an athletic, meditative spectacle featuring 19 Shaolin monks and a malleable set of 21 wooden boxes (designed by Antony Gormley) is still striking a chord with audiences worldwide. To celebrate the milestone, Sutra is returning to Sadler's Wells, where it all began. March 26–28.

Dancers Trending
Irina Dvorovenko's latest role: Playing Elizaveta Grushinskaya in Grand Hotel at New York City Center. Photo by Joan Marcus, Courtesy New York City Center.

Whether playing a saucy soubrette or an imperious swan, Irina Dvorovenko was always a formidable presence on the American Ballet Theatre stage. Since her 2013 retirement at 39, after 16 seasons, she's been bringing that intensity to an acting career in roles ranging from, well, Russian ballerinas to the Soviet-era newcomer she plays in the FX spy series "The Americans."

We caught up with her after tech rehearsal for the Encores! presentation of the musical Grand Hotel, directed and choreographed by Josh Rhodes and running March 21–25 at New York City Center. It's another tempestuous ballerina role for Dvorovenko—Elizaveta Grushinskaya, on her seventh farewell tour, resentfully checks into the Berlin hostelry of the title with her entourage, only to fall for a handsome young baron and sing "Bonjour, Amour."

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Breaking Stereotypes
Photos via Instagram

When Andrew Montgomery first saw the Las Vegas hit Le Rêve - The Dream 10 years ago, he knew he had to be a part of the show one day. Eight years later, he auditioned, and made it to the last round of cuts. On his way home, still waiting to hear whether he'd been cast, he was in a motorcycle accident that ended up costing him half his leg.

But Montgomery's story doesn't end the way you might think. Today, he's a cast member of Le Rêve, where he does acrobatics and aerial work, swims (yes, the show takes places in and around a large pool) and dances, all with his prosthetic leg.

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Cover Story
Jayme Thornton

Camille A. Brown is on an impressive streak: In October, the Ford Foundation named her an Art of Change fellow. In November, she won an AUDELCO ("Viv") Award for her choreography in the musical Bella: An American Tall Tale. On December 1, her Camille A. Brown & Dancers made its debut at the Kennedy Center, and two days later she was back in New York City to see her choreography in the opening of Broadway's Once on This Island. Weeks later, it was announced that she was choreographing NBC's live television musical Jesus Christ Superstar Live in Concert, to air on April 1.

An extraordinarily private person, few knew that during this time Brown was in the midst of a health crisis. It started with an upset stomach while performing with her company on tour last summer.

"I was drinking ginger ale, thinking that I would feel better," she says. Finally, the pain became so acute that she went to the emergency room in Mississippi. Her appendix had burst. "Until then, I didn't know it was serious," she says. "I'm a dancer—aches and pains don't keep you from work."

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