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View All Dance As Activism Broadway Pop Culture Breaking Stereotypes Rant & Rave

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Andrea Miller Premieres a New Take on a 100-Year-Old Nijinska Ballet at English National Ballet

Wendy Perron

Two collaged images of Sharoubim, a woman with long dark hair wearing a black unitard. In each photo her body is draped around a pole and bathed in blue and red sidelights.

Breaking Stereotypes

The Rise of Pole Dancing in Egypt

Lara Reffat

Morris "Bboy Morris" Isby balances on one arm, his legs both extended to 2 o'clock while his head is at 8 o'clock. He wears a white t-shirt, grey sweats, and well worn black Converse. Many members of the crowd watching at the side of a wooden dance floor have expressions of shock and delight.

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2023–24 Season Preview: The Shows at the Top of Our Must-See Lists

Dance Magazine

In the foreground, three dancers sit facing downstage, legs folded and crossed. The dancer at the center reaches hands into a deep brown bowl. All three wear collars that evoke feathers and headpieces with a trio of sticks pointing straight up. The downstage dancer has dark beads dangling in front of their face; the other two wear masks that cover their foreheads and around their eyes.

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The Harris Theater Celebrates Two Decades of Bold Moves in and for Chicago

Lauren Warnecke

Sep 22

EMERGE – A Modern Dance Experience

Arts On Site NYC

Sep 22

EMERGE – A Modern Dance Experience

Arts On Site NYC

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a man wearing an orange button down leaning against a white wall

News

Tiago Guedes, the New Director of Lyon’s Maison de la Danse and Dance Biennale, Finds Artistic Fulfillment Through Curation

Laura Cappelle

Lizzie Trip lunges to the side, an elbow bending to touch her bent knee. We see her from the wings, her back to the audience and face to the audience. White fluff litters the floor of the stage all around. Lizzie is barefoot, wearing a tight black and blue biketard, red hair neatly slicked back from her face.

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News of Note: What You Might Have Missed in August 2023

Courtney Escoyne

News

Remembering and Celebrating the Late Joffrey Ballet Co-Founder Gerald Arpino for What Would Have Been His 100th Birthday

Lauren Warnecke

A triptych of images of Gus Solomons jr. In a black and white image, he is young, pulling a long, bent leg toward his face as he gazes past it. In the center, against a green backdrop, his eyes drift close as he leans into one hip, eyes turned into the light. At right, silver haired and bearded, he stands in his studio, knees bent and eyes intense as his arms curve around his torso.

In Memoriam

Remembering Gus Solomons jr, 1938–2023

Wendy Perron