A native of Lafayette, Louisiana, Courtney danced with Lafayette Ballet Theatre before matriculating to New York University. After spending her freshman year in London, she moved to New York to attend NYU Tisch School of the Arts, where she recently graduated with a BFA in Dance. Courtney began contributing to Dance Magazine during her senior year. She has performed in works by Karole Armitage, Netta Yerushalmy, Septime Webre, Vita Osojnik, Cherylyn Lavagnino, Giada Ferrone and Fairul Zahid, among others. She continues to take class, create and perform in the city.
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Ten years is a long time for a dance production to run, but Sidi Larbi Cherkaoui's Sutra, an athletic, meditative spectacle featuring 19 Shaolin monks and a malleable set of 21 wooden boxes (designed by Antony Gormley) is still striking a chord with audiences worldwide. To celebrate the milestone, Sutra is returning to Sadler's Wells, where it all began. March 26–28. sadlerswells.com.
Houston's METdance and the Dallas-based Bruce Wood Dance have teamed up to commission a new work from Dallas native (and former Dallas Black Dance Theatre artistic director) Bridget L. Moore. The two contemporary companies will take the stage together in Dallas at Moody Performance Hall on March 16 and at Houston's Hobby Center for the Performing Arts on April 13–15. Visit brucewooddance.org and metdance.org for details on the respective engagements.
If we weren't already looking forward to American Ballet Theatre's spring gala with trepidation and excitement, we certainly are now. The company announced today that Michelle Dorrance, MacArthur-certified genius and tap dancer extraordinaire, will create a piece d'occasion to kick off ABT's spring season. It will premiere alongside Wayne McGregor's AFTERITE and excerpts from Alexei Ratmansky's new reconstruction of Harlequinade. This marks her first creation for the company.
It's been a while since we checked in on Lin-Manuel Miranda, who at this point really needs no introduction. Today marks the 10-year anniversary of the Broadway debut of In the Heights, Miranda's first big hit that laid the groundwork for him to revolutionize the Great White Way with Hamilton.
But aside from that, he's had a pretty insane couple of weeks, even by Miranda standards. Here's what you might have missed.
One of New York City Ballet's most adventurous ballerinas will be a special guest of Paul Taylor American Modern Dance for its annual season at the Koch Theater. Sara Mearns is performing solos created by early modern dance icon Isadora Duncan as staged by Lori Belilove. Also on the menu: Paul Taylor Dance Company members in 13 classic Taylor works and world premieres from Doug Varone, Bryan Arias and Mr. Taylor himself (his 147th!), plus the resurgent Trisha Brown Dance Company in her iconic Set and Reset. March 7–25. ptamd.org.
The March 1958 issue of Dance Magazine included coverage of the previous year's Dance Magazine Awards, one of which went to Dame Alicia Markova.
Markova danced the title role in the first British production of Giselle. Photo by Walter E. Owens, Courtesy DM Archives
Pink Floyd's 1979 album The Wall has already been adapted into a feature film and an opera, so why not a ballet? Twin Cities Ballet of Minnesota has partnered with local tribute band Run Like Hell for The Wall: A Rock Ballet, filtering the storyline—that of a musician whose traumatic experiences become a metaphorical wall isolating him from humanity—through a contemporary lens. March 1–3. thecowlescenter.org.
It's a standalone dance film series, a nuanced examination of contemporary feminism and an evocative teaser trailer for an upcoming performance—it wouldn't be a project by Kate Ladenheim, artistic director of The People Movers and one of our "25 to Watch," if it wasn't daringly ambitious. Glass is the multi-hyphenate's latest creation, a four-pronged project about women living under glass ceilings that, in its most widely accessible form, is a five-part video series, the third installment of which was released today.