On the Rise: Chalvar Monteiro
Chalvar Monteiro saw his first Alvin Ailey American Dance Theater performance at 12 and was smitten. Today, at 28, he's a lithe, elegantly understated member of the company. But he's experienced some happy detours along the way—namely as a dancer with MacArthur-winning choreographer Kyle Abraham, as well as Sidra Bell and Larry Keigwin. After a stint with Ailey II, he joined the main company in 2015. He has shown both sophistication and versatility: fearless in the "Sinner Man" section of Revelations and searing in Untitled America, Abraham's emotional exploration of how the prison system affects families.
Company: Alvin Ailey American Dance Theater
Hometown: Montclair, New Jersey
Training: Sharron Miller's Academy for the Performing Arts, The Ailey School, BFA in dance from SUNY Purchase
Monteiro in action (the second dancer in this excerpt of the "Sinner Man" section of Alvin Ailey's Revelations)
Don't give up on your dream: It took Monteiro seven auditions to get into Ailey. At one point, he decided to stop auditioning but changed his mind after some soul searching. "I realized a lesson that a lot of dancers have to learn in the age of technology," he says, "where everything is at the reach of your thumb: It's really about timing. You can't fast-forward the process."
Breakout moment: Performing Abraham's Untitled America—as an Ailey dancer. "Kyle was able to see me as 'Chalvar the dancer' and not 'Chalvar the Abraham.In.Motion dancer.' He started to see more of what I have to offer."
"I really appreciate his quiet storm.
He has a certain effortlessness
that is intoxicating." —Robert Battle
Being older has its advantages: Earlier in his career, Monteiro says he was an impressionable young dancer. "If the wind was blowing to the right, I was going to the right. Now I feel I can dictate where I want to go and why I want to go there." Dancing for a range of choreographers, learning Ailey's immense repertoire and attending performances—he loved, for instance, a recent show by Michelle Dorrance—have helped broaden his perspective.
Monteiro (left) with Jamar Roberts in Kyle Abraham's Untitled America. Photo by Paul Kolnik, Courtesy AAADT.
What artistic director Robert Battle is saying: "Chalvar's movement kind of simmers," says Battle. "He's the type of dancer that hasn't even begun to hit the notes that he will eventually hit. He has a lot of potential even within his prowess."
The trouble with being so flexible: "My legs can just kind of fly up from underneath me! I've knocked myself over a few times."
What he's working on: Ownership. "People expect to see a certain type of dancer when they come to see Ailey. But I'm just working on being honest," says Monteiro. "I want to be myself without imposing myself on the work. I'm also working on being excited by the unknown. You know Virgos: I like to know what I'm doing, when I'm doing it and who I'm doing it with. Now I'm working with being okay with not knowing everything."
These days, it's not uncommon to see men dancing on pointe. Sure, the Trocks have been doing it forever, but now even men in traditional companies are seeing the benefits of training in pointe shoes.
And yet, we've never seen anything like this video of Houston Ballet's Hayden Stark, Derek Dunn and Daniel Durrett performing the "Shades" variations from La Bayadere on pointe. It's not a parody video or a spoof. These boys' pointework is the real deal, and we're all for it.
Your gut is a hot topic in nutrition right now. Experts say a healthy microbiome (the makeup of bacteria in our bodies) is associated with everything from a reduced risk of infection to a more efficient metabolism.
But can we actually make our inner bacterial population healthier?
For Dance Magazine's 90th anniversary issue, we wanted to celebrate the movers, shakers and changemakers who are having the biggest impact on our field right now. There were so many to choose from! But with the help of dozens of writers, artists and administrators working in dance, the Dance Magazine staff whittled the list down to those we felt are making the most difference right now.
Click through the links below to find out why they made our list.
With the first round of dancer duels complete, Jennifer Lopez and the World of Dance judges are bringing in some extra help as the competition thickens. American Ballet Theatre principal and all around dance superstar Misty Copeland will be the show's first guest judge for the July 18th and July 25th episodes.
It's our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
We had a feeling that our ambitious list of "The Most Influential People in Dance Today" in celebration of Dance Magazine's 90th anniversary would turn some heads. But it's gotten even more attention than we'd expected.
It's not often that a magazine compilation of "movers and shakers" can be celebrated in the literal sense. But when the publication is Dance Magazine, that is of course the case.
The story mentions Dance Magazine's 1927 beginnings under the name The American Dancer, and highlights how our July issue tackled the idea of "influence" from many angles.
Thank you Adweek for the shoutout and the happy anniversary wishes!
On July 1 and 2, San Francisco audiences will encounter a performance that's an unsettling kick to our assumptions. Stephan Koplowitz has created Occupy, A site-specific journey through an urban garden to be performed by AXIS Dance Company at the Yerba Buena Gardens. This is a dance about inclusion.
As soon as we started putting together a list of the most influential people in dance today, we knew two things. By the very nature of the topic we were tackling, our final list was going to be:
1. Entirely subjective, and
2. By no means comprehensive.
We wanted to get your input and hear who else you felt should be on the list. So we asked you who we missed, and here's what you told us through email, Facebook and Twitter: