What It's Like Dancing Between Palestine and New York City
One of the only paid contemporary dance companies in Palestine, Yaa Samar! Dance Theatre faces logistical challenges that most American companies could never imagine. Nearly 30 to 40 percent of YSDT programming is cancelled—sometimes on performance days—due to artist visa denials, local violence, or because the company is participating in solidarity strikes with their communities.
But when the show does go on, it is all worth it. "The dancers have a space where they can focus, perform an act of solidarity…it is a safe haven for them," says associate artistic director Zoe Rabinowitz.
Choreographer Samar Haddad King founded Yaa Samar! Dance Theatre in New York in 2005, after studying in the Ailey/Fordham BFA program. Born in Alabama to a Palestinian mother, she relocated to Palestine in 2010 due to her husband's denied American visa request.
"I never would have guessed that my life would lead me back to my mother's home," says King. Her company now operates between Palestine and New York City. While the move seemed like an obstacle, new opportunities have presented themselves in unexpected ways. In 2011, she created bound via Skype rehearsals with her New York dancers, delving into the experience of separation and featuring a projected Skype conversation between long-distance lovers.
Despite the overseas challenges, King has found a way to operate YSDT in a fluid, multinational, multilingual way (she speaks both English and Arabic). Building her company in a new country required King hire new YSDT dancers in Palestine. Meanwhile, associate artistic director Rabinowitz remains dedicated to the company in New York City. Together the pair has grown YSDT into an international touring presence, with dancers traveling from both locations to perform together.
non/static aesthetics. Photo by Antoine Repesse via ysdt.org
King has immersed herself in the Palestinian dance community, developing ballet curriculum for Sareyyet Ramallah—an organization dedicated to cultural growth in Palestinian communities—and she is now one of the premier ballet teachers in the country. Formal dance training in Palestine is minimal, and many of the dancers she works with are self-taught street dancers who learn hip-hop from YouTube. "We see a lot of talent and desire—dance is everywhere here—but training is very limited for young people," explains Rabinowitz.
In 2015, King and two YSDT artists created a site-specific work, non/static aesthetics, in collaboration with 16 young Palestinian women from both sides of the Israeli West Bank wall. The piece was presented in non-traditional spaces throughout Palestine to discover beauty within ruins. This summer, YSDT launches its first summer intensive program in Nazareth.
YSDT's newest piece, directed by King and Amir Nizar Zuabi, Against a Hard Surface premiered during the Ramallah Contemporary Dance Festival and internationally during the Theater der Welt festival in Hamburg. Featuring a giant onstage wall that dancers climb up, ram into or throw their bodies against, the piece is a powerful statement.
But King's aim is to tell universal stories, to spark dialogue and provide an experience. "Conflict and fragmentation are present everywhere; what interests me is finding ways to mobilize and connect individuals and artists through creative projects," says King. "There should always be movement."
Have you ever seen a performance and thought, "Wow, this was so good. Dance Magazine should really be writing about this!"? You're in luck.
We're collecting nominations for our annual Readers' Choice feature, and we need your help! We'll compile our favorite nominations, and then you'll vote on what should make it into our December issue. But for now, we want to hear about the most memorable dance you've seen so far in 2017.
Throughout the summer, we've been noticing beachside views and scenic waterfalls sprinkled in with all of the usual rehearsal and performance posts we see from ballet's biggest stars. But even while enjoying some sun and relaxation, dancers like Sara Mearns and Michaela DePrince prove that they never really take a break from ballet. Ahead, check out some of the cutest vacay pictures and videos our favorite dancers have been sharing this summer. Not only will they give you some future vacation inspo, they'll also have you itching to get back in the studio.
This fall, the University of Utah's School of Dance welcomes the first class of candidates to its newly reinstated Master of Fine Arts in Ballet program, currently the only ballet-specific MFA in the country. Geared toward those with professional ballet experience, it requires courses in pedagogy, choreography and scholarly inquiry. Melonie Murray, the director of graduate studies, says, "We want to support students in understanding ballet in a deeper way."
The 2017–18 Broadway season is just getting underway! But before we look ahead to new productions, let's recall what came before. Here are a few of the sparkliest shows that opened on the Great White Way in previous Augusts.
42nd Street (1980)
The cast of the 2001 revival of 42nd Street performing at the Tony Awards
If you need an example of traditional Broadway-style tap, this couldn't be any closer. The original production of 42nd Street ran for over eight years. That's a lot of time steps.
When I saw Kele Roberson dancing at New York City Dance Alliance Foundation's college scholarship audition, I only had to watch a deep plié before writing down a 10 out of 10 on his score sheet and scribbling a giant star next to his name. Before he even had a chance to show off his incredible lines, I was mesmerized by his nuanced grace in even the simplest of movements.
He walked away from that audition with NYCDA Foundation's Dance Magazine College Scholarship worth $25,000 to the college of his choice, which happened to be Juilliard, where he was planning to attend this fall.
But shortly after winning, it turns out, his plans changed. I caught up with him earlier today to find out what happened.
Yep, you read that right.
Alpaca dance classes are a thing, thanks to 313 Farms in Manitoba, Canada. Students can take classes like "Barn Barre," "Mommy, The Alpacas, & Me" and "Poppin' Pacas" while the animals roam—and you're welcome to stop and pet them mid-class.
"Having worked in a dance studio, I had quite a few students visit the alpacas and they loved being around them," says owner Ann Patman. "Most studios have no windows and even though the class might be great, you don't get any fresh air or see what's going on outside."
Nominations for our Readers' Choice Awards are underway, and you've been sending in tons of exciting ones.
As a reminder, we're compiling nominations in seven categories:
- Best Viral Video
- Most Moving Performance
- Biggest Choreographic Breakthrough
- Coolest Collaboration
- Best Dance Documentary
- Most Inventive New Work
- Funniest Performance
We'll choose our favorites, then ask you to vote on what will make it into our December issue.
Here are some of our favs so far: