Hamilton Receives A Record-Setting 16 Tony Nominations
Hamilton has made Tony Awards history. Photo by Joan Marcus, Courtesy Hamilton.
The 2016 Tony Award nominees have been announced. And, unsurprisingly, everyone's favorite musical that they've never seen, Hamilton, swept the ballots. In all, the show is up for 13 categories—every single one that involved musical theater, except revivals. And with multiple nominations in some, Hamilton has 16 shots at winning—the most in Broadway history.
Even if you can't get tickets to the show, you can read all about the ensemble bringing the historic production to life—and what its runaway success might mean for dance on Broadway—in Dance Magazine's June issue. Go to dancemagazine.com/hamilton to pre-order your copy.
Tony Testa leads a rehearsal during his USC New Movement Residency. Photo by Mary Mallaney/Courtesy USC
The massive scale of choreographing an Olympic opening ceremony really has no equivalent. The hundreds of performers, the deeply historic rituals and the worldwide audience and significance make it a project like no other.
Just consider the timeline: For most live TV events like award shows, choreographers usually take a month or two to put everything together. For the Olympics, the process can take up to four years.
But this kind of challenge is exactly what Los Angeles choreographer Tony Testa is looking for. He's currently creating a submission to throw his hat in the ring to choreograph for Beijing's 2022 Winter Games.
In a studio high above Lincoln Center, Taylor Stanley is rehearsing a solo from Jerome Robbins' Opus 19/The Dreamer. As the pianist plays Prokofiev's plangent melody, Stanley begins to move, his arms forming crisp, clean lines while his upper body twists and melts from one position to the next.
All you see is intention and arrival, without a residue of superfluous movement. The ballet seems to depict a man searching for something, struggling against forces within himself. Stanley doesn't oversell the struggle—in fact he's quite low-key—but the clarity with which he executes the choreography draws you in.