Photo by Patrice Mathieu, Courtesy Ashbee

25 to Watch 2018: Daina Ashbee

Creating dance as a medium for eliminating taboos has been cathartic for radical, riveting Montreal-based dancer and choreographer Daina Ashbee. Her highly physical, personal work dealing with topics such as female sexuality, anorexia, trauma, loss, the menstrual cycle and Indigenous women has garnered accolades: At the prestigious 2016 Prix de la Danse Montreéal, she received both Le Prix Découverte de la Danse (emerging artist award) and the Prix du CALQ for Best Choreographic Work (for When the ice melts, will we drink the water?).


Growing up, Ashbee struggled with an eating disorder and body-image issues. After studies in ballet and jazz, and stints in television and film, life gradually began to shift when she joined, at age 20, the Raven Spirit Dance Society, an all-women contemporary aboriginal dance company in Vancouver. Of Cree Métis and Dutch heritage, she has always embraced her aboriginal legacy. "These women are role models, and gave me another vision of seeing beauty and caring for the body," says Ashbee.

Transforming pain through dance has been healing, allowing Ashbee to become more confident. This bold, exceptional artist is unafraid of affecting people and, as she says, "hitting them in the gut."


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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