Sambé in David Dawson's The Human Seasons. Photo by Tristram Kenton, Courtesy ROH

25 to Watch 2018: Marcelino Sambé

Marcelino Sambé has been an ebullient presence at The Royal Ballet since he joined the company in 2012. A prizewinner at Moscow International Ballet Competition and Youth America Grand Prix, the Portuguese dancer earned a scholarship to the Royal Ballet School's Upper School and shone from the start in virtuosic variations, with technique that was unfailingly bright and airy.

His short stature could have limited him. But last season, Sambé (who is also an enthusiastic choreographer) broke through to the next level, as was shown by the expressive, harrowing role Crystal Pite created on him in Flight Pattern—that of a migrant gripped by despair.


A promotion to first soloist followed, and this season Sambé is set to build on his budding partnership with the equally sparkling Francesca Hayward, one of the Royal's homegrown principals. After dancing together in La Fille mal gardée and Alice's Adventures in Wonderland, they will make joint debuts in Giselle this February, a vote of confidence from director Kevin O'Hare. For Sambé, Albrecht will be the opportunity to show his mettle as royalty—and as a principal in the making.


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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