Nagahisa in La Bayadère. Photo by Natasha Razina, Courtesy State Academic Mariinsky Theatre.

25 to Watch 2018: May Nagahisa

Not many students get the opportunity to perform a variation onstage with the Mariinsky Ballet. But in April 2016, when May Nagahisa was just 15 and training at Monaco's Princess Grace Academy, the Japanese prodigy was invited to perform the Manu dance in La Bayadère with the venerable Russian company—an unprecedented honor for a non-Vaganova student.


Mariinsky director Yuri Fateyev was impressed, and just after her graduation in Monaco last June, the 17-year-old dancer started her career as a trainee in St. Petersburg. During the Mariinsky's summer tour to London, Nagahisa was assigned variations in Paquita's grand pas and La Bayadère. Her outstanding technique and épaulement made an impression, with The Telegraph praising her "ethereally light upper body." Nagahisa may well be the Mariinsky's next standout foreign soloist: Her serene classical articulation is already at home in St. Petersburg.


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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