Keone and Mari Madrid Are Going Beyond Viral Videos
Boy meets girl. Boy and girl start dancing together. They fall in love, create epic dance collaborations, go viral on YouTube, get married and perform together on Times Square billboards.
Though it's not the most common love and success story, it's the story of Keone and Mariel (Mari) Madrid. Often compared to commercial choreographers (and fellow husband-and-wife team) Tabitha and Napoleon D'umo for their sweet lyrical, hip-hop style, Keone, 26, and Mari, 29, have grown a worldwide fan base and become darlings of the urban choreography industry. Their YouTube videos have garnered several million views, capturing the attention of people like Ellen DeGeneres, who invited them to perform on her show.
It all began when Keone's students at San Diego's Culture Shock Dance Center filmed his combinations and posted them on YouTube. “I thought YouTube was just for comedy videos and cute kittens," Keone says. “Neither Mari nor I uploaded our first video." It was essentially because of those early videos that Keone and Mari finally met. After seeing their work online, the dance workshop Urban Legends invited both of them to teach in Temecula, California. Afterwards, Keone asked Mari to teach for Future Shock San Diego, a competitive crew he had danced in, and the pair eventually began dating. But it wasn't until six months into their relationship that they began collaborating. “Our styles meshed surprisingly well," Keone says.
Keone and Mari's popularity surged when videos of them teaching together were posted on Movement Lifestyle's YouTube channel (which serves to bring additional exposure to working choreographers). In May 2010, they conceptualized, choreographed and professionally shot their first video, “Smooth Operator," which utilizes large-frame shooting in lieu of quick cuts and fancy angles. The zoomed-out camera lets viewers see the whole picture as they would during a stage production—Keone and Mari passing a single rose back and forth as they alternate between intricate footwork and seductive slow dancing.
Soon, Keone and Mari started posting more videos on their shared channel, and their popularity steadily progressed over the next few years. In 2013, their video to Michael Jackson's “Dangerous" quickly went viral after it was posted on Urban Dance Camp's channel. “Getting a million views at the time was unreal," Keone says. It prompted an e-mail from—and eventual live performance on—“The Ellen DeGeneres Show." “That was when we realized our viral reach," Keone says. “From there, the jobs kept coming."
At first, they were mostly booking teaching gigs. The duo teaches each summer at Urban Dance Camp and also gets calls from conventions and studio owners who want the pair to choreograph their family-friendly material on their students. “People call us and reference our videos," Keone says. “Our work online is like our resumé." They've also booked Korean pop videos and a Hyundai commercial and choreographed for “So You Think You Can Dance."
“Their style was very smooth, very lyrical, with hard-hitting movements and creative storytelling," says “SYTYCD" executive producer Jeff Thacker, who hired them after seeing the pair online. “But Keone and Mari had no egos, no drama. They created something that was still uniquely them and was right for the show."
It's easy to see why the world is drawn to their videos: Watching their choreography is often like watching two people fall in love over and over again. In their “Is This Love" routine, they portray an old couple, linking arms as they transition from basic step-touches to perky, interlocked or mirrored partner work. “We're not just dancing together—we have a life outside, too," Mari says. “A general person will be like, 'Oh yeah, the married couple that dances!' “ says Keone. “It's an easy thing for people to connect with."
Keone and Mari's choreography became a hit in an industry where partnering is often basic and predictable—and rare. “Many partner pieces in the urban dance realm were very traditional," Keone says. “The dancers would just do opposite choreography facing each other. We wanted to try and do something different with the technicalities and intricacies in our choreography.
Yet that partnering remains wholesome and all-age-appropriate, in part because of their shared faith. “We're both Christian, and there are certain things we don't want to do," Mari says. “This is genuinely who we are."
Keone and Mari's next venture takes their videos to a more personal level: They just opened a private studio called Building Block in San Diego. The goal is to offer private intensives to individuals or small groups. “Like personal training for dancers," Keone says.
In the future, Keone and Mari say they would love to get into theater and film projects, or work with a musical artist. And they don't plan to stop dancing anytime soon. “We're going to be dancers as long as we can—as long as our bodies allow," says Keone. “Even if that just means dancing together in our living room," Mari says.
- Keone and Mari - YouTube ›
- Watch Keone and Mari Madrid's Stunning Dance Tribute to Immigrants ›
- Keone and Mari Madrid Take 'World of Dance' by Storm - NBC ... ›
As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.
But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.
It's no surprise that dancers make some of the best TED Talk presenters. Not only are they great performers, but they've got unique knowledge to share. And they can dance!
If you're in need of a midweek boost, look no further than these eight presentations from some incredibly inspiring dance artists.
The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?