Embracing your strengths will lead to more success. Photo by Jim Lafferty
When it comes to auditioning, you have to think like a casting director. What is your type? How can you embrace it so that you can get cast in the roles that fit you best?
Getting hired is about more than just talent. Directors are looking at everything: from your height, to your energy, to understudy requirements—if you are a replacement in a Broadway show, for example, you have to be able to slot into it seamlessly. The creative team will size you up immediately when you walk into the studio, so make sure you're projecting the right message from the start.
Whether it's your first time jumping into the audition scene or you have hundreds of crinkled numbers to prove you're a seasoned pro, having a panel of judges eyeing your every move makes everyone's mind race a little.
Here are eight thoughts you're bound to have when you step into the studio for an audition.
Reframing high-stakes auditions as learning opportunities can make you a better auditioner. Photo by Jim Lafferty.
In 2012, freelance contemporary dancerAdrianne Chu made a major career change: She decided to try out for A Chorus Line. "Even though I didn't get the job, I felt like I was meant to do this," says Chu. So she started going to at least one musical theater audition every weekday, treating each as a learning experience. After several years of building up her resumé, Chu's practice paid off: She booked a starring role as Wendy in the first national tour of Finding Neverland.
Approaching auditions as learning opportunities, especially when you're trying to break into a different style or are new to the profession, can sharpen your skills while helping you avoid burnout. It also builds confidence for the auditions that matter most.
The brainchild of Joan Myers Brown (founder of both Philadanco and IABD), the women's audition was created to specifically address the lack of black females in ballet. However, the success and attention that audition drew made the men feel left out, so IABD decided to give the men equal time this year.
What are the best ways to prepare for an audition?
Photo by Levi Walker, Courtesy CTG
"Research as much as you can about the project or choreographer. When a dancer is prepared, they tend to be more focused, more relaxed and really able to show themselves at their best. If the choreographer happens to be teaching at a local studio beforehand, get in that class!"
Misa Kuranaga with Nelson Madrigal in Romeo and Juliet. Photo by Rosalie O'Connor, Courtesy Boston Ballet.
In dance, no two paths look the same, and part of a healthy audition mind-set is accepting that you might not get what you want on the first try. These three dancers who auditioned multiple times for their dream gig share what made the difference in getting to the final cut.
The 2017 Grand Audition drew dancers from 27 countries. Photo by Andrej Uspenski, Courtesy Grand Audition.
Hopping from city to city during audition season can be both expensive and time-consuming—not to mention disheartening if you end up being cut after barre. Since its inception in 2016, the Grand Audition has aimed to solve that conundrum for young ballet dancers looking for a job: This annual two-day event in Europe provides an unprecedented opportunity to audition for 10 companies at once.
Dancers at an audition for Kyle Abraham, Brian Brooks, Kate Weare and Anna Sperber. Photo by Jim Lafferty.
In your wellness workshop at The Ailey School, you suggested that a way to attend a lot of auditions after graduation (without getting depressed) was to see each one as a free class. It worked. I can't remember how many jobs I've tried out for, but I managed to stay hopeful and finally landed a full-time position. Thank you!
Allison Beler has auditioned for the Radio City Rockettes more than a dozen times. In 2014, she made it all the way through the final round. "I was waiting on a phone call for a job," she says. The call didn't come.
Rejection is inevitable in dance. But it still hurts. Beler, 31, says she's toughened as she's gotten older, but she still calls her mom and cries as soon as she steps onto the street after being cut.
Your ability to recover from rejection may strengthen with experience, but according to Joel Minden, a clinical psychologist and former ballroom dancer who works with dancers in Chico, California, it's also a skill that can be cultivated.