Benjamin Millepied is Making A Movie
We had a feeling this news was coming, but now it's official: Benjamin Millepied is directing a movie.
Variety just broke the news that he'll be making his directorial debut with Carmen, a film inspired by Georges Bizet's highly successful opera. The story will focus on a woman traveling from the Mexican desert to Los Angeles "in search of freedom," according to Variety's report.
It's no surprise that Millepied quickly caught Hollywood fever since moving back to Los Angeles after stepping down as Paris Opéra Ballet's artistic director. At L.A. Dance Project, he's put a premium on collaborating with artists of different genres, and has experimented with several short films. Considering his Black Swan background and movie star wife, film seems like a natural next step.
We're pumped to find out that there will definitely be dance involved. Millepied is not only directing the movie, but also creating choreography for it. Here's hoping dance plays a major role.
He's also lined up several A-list collaborators: composer Nicholas Britell (Moonlight), cinematographer Darius Khondji (Midnight in Paris) and producers Dimitri Rassam (The Little Prince) and Helen Estabrook (Whiplash).
No details on casting have been announced yet, but shooting is set to begin in Los Angeles early next year. We can't wait to see what Millepied does with this.
As you're prepping your Thanksgiving meal, why not throw in a dash of dance?
This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.
Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)
I cannot be the only person wondering why we should care.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.