The Summer Intensive Where Students Become a Choreographer's Muse
It's the second week of Miami City Ballet School's Choreographic Intensive, and the students stand in a light-drenched studio watching as choreographer Durante Verzola sets a pas de trois. "Don't be afraid to look at the ceiling—look that high," Verzola shows one student as she holds an arabesque. "That gives so much more dimension to your dancing." Other students try the same movement from the sidelines.
When Arantxa Ochoa took over as MCB School's director of faculty and curriculum two years ago, she decided to add a second part to the summer intensive: five weeks focused on technique would be followed by a new two-week choreography session. The technique intensive is not a requirement, but students audition for both at the same time and many attend the two back-to-back.
Durante Verzola. Photo by Alexander Iziliave, courtesy MCB
After morning technique class on pointe, students work with Verzola as he creates new phrases, or in smaller groups with Ochoa, polishing sections from one of the three pieces Verzola is setting. Spirited Syncopations, which features the pas de trois, was choreographed before the intensive and uses a jazzy Leroy Anderson score to create a quirky, showbiz feel. In a rehearsal, Verzola urges the dancers to let the movement flow.
"It has to be a little bit more Bob Fosse," he says. "Don't make the next pose you're going to so obvious."
Verzola got his start choreographing at MCB School, graduating in 2014. He then went on to dance with Pennsylvania Ballet's second company, and has worked as a freelance choreographer with schools like Central Pennsylvania Youth Ballet and The School of Pennsylvania Ballet.
"I love working with students because they're usually willing to try any step you throw at them, at any tempo," he says. "However, since they are constantly working on their technique, they can sometimes get sidetracked from what dance is all about. They can't forget to bring personality and feeling."
Verzola is making two new pieces on the students: Classical Symphony, a large-scale ensemble piece for all 58 students, and Liebtänze, a quieter piece composed of three pas de deux and a pas de trois. It's a rare opportunity for students to have work created on them.
"Some dancers have to wait until they get into a company to get that," Ochoa says. "Also, it's done in a very short amount of time, so they have to learn to pick up choreography very quickly. It teaches them what they're going to have to go through when they get into a company."
For some students, the experience has opened up fresh possibilities. "Working with Durante inspired many of us to give choreographing a try," says Sarah Gavilla, an 18-year-old student who attends the Miami City Ballet School year-round.
Alexander Iziliaev, courtesy MCB
For next year's Choreographic Intensive, Ochoa plans to invite several choreographers to create work. She believes that the process prepares students in ways that aren't simply about learning new movement.
"They have to act professionally because they have nine days to put this onstage," she says. She also encourages the students to attend rehearsals for a piece even if they are not cast. "We want them to learn as many parts as possible, just like in a company setting."
For Gavilla, that taste of company life is what has meant the most. "It gave me a glimpse of what life is like working in a ballet company," she says. "That's really rare to get out of a summer program."
Attendance: 58 last summer
Auditions: U.S. audition tour; video submissions accepted
Timeline: Two weeks
Housing: Residence hall available two blocks away
For choreographer Raja Feather Kelly, music is simple: "There's good music and there's bad music and I love good music and I love to hate bad music."
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Every dancer's nutrition goals are different. Maybe you're trying to go vegan, or maybe you want to cook your own dinner more often. No matter what your personal objectives are—or whether you work with a dietitian—there are all kinds of apps that can help you make smart decisions at the tap of a button.
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Growing up, I never saw a problem with my dancing and neither did my Muslim-Egyptian dad or my non-Muslim, American mom. They raised me to understand that the core principles of Islam, of any religion, are meant to help us be better people. When I married my Pakistani husband, who comes from a more conservative approach to Islam, I suddenly encountered perceptions of dance that made me question everything: Is it okay to expose a lot of skin? Is it wrong to dance with other men? Is dance inherently sexual? What guidelines come from our holy book, the Quran, and what are cultural views that have become entwined in Islam?
When Thomas Forster isn't in the gym doing his own workout, he's often coaching his colleagues.
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He shared five of his top tips for getting into top shape.
No matter how much anti–Valentine's Day sentiment I'm feeling in a given year, there's something about dancer couples that still makes me swoon. Here's a collection of wonderful posts from this year, but be warned: Continued scrolling is likely to give you a severe case of the warm fuzzies.
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The one problem? Pointe shoes have traditionally only been designed for women. Until now.
Lately I've been having recurring dreams: I'm in an audition and I can't remember the combination. Or, I'm rehearsing for an upcoming show, onstage, and I don't know what comes next. Each time I wake up relieved that it was only a dream.
However, this is the reality of how I often felt throughout my dance career. Once I knew the steps, there was no undoing it. It was the process of getting there that haunts me to this day.
Since its founding in 1999, more than 80,000 ballet dancers have participated in Youth America Grand Prix events. While more than 450 alumni are currently dancing in companies across the world, the vast majority—tens of thousands—never turn that professional corner. And these are just the statistics from one competition.
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Though Polunin has long had a reputation for behaving inappropriately, in the last month his posts have been somewhat unhinged. In one, Polunin, who is Ukrainian, shows off his new tattoo of Vladimir Putin:
Camille Sturdivant, a former member of the Blue Valley Northwest High School dance team is suing the school district, alleging that she was barred from performing in a dance because her skin was "too dark."
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You wander through the grocery aisles, sizing up the newest trends on the shelves. Although you're eager to try a new energy bar, you question a strange ingredient and decide to leave it behind. Your afternoons are consumed with research as you sort through endless stories about "detox" miracles.
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Raise your hand if you've ever gotten sucked down an informational rabbit hole on the internet. (Come on, we know it's not just us.) Now, allow us to direct you to this new project from Google Arts & Culture. To celebrate Black History Month, they've put together a newly curated collection of images, videos and stories that spotlights black history and culture in America specifically through the lens of dance—and it's pretty much our new favorite way to pass the time online.
If you're anything like us, your Instagram feed is chock-full of gorgeous dance photos and videos. But you know what makes us fall in love with an artist even more? When they take a break from curating perfect posts and get real about their missteps. These performers' ability to move past mistakes, and even laugh them off, is one reason why they're so successful.
Every time you fall out of a pirouette, just remember: The stars—and literally every. single. dancer.—have been there, too. (Even Misty Copeland.)
Dancers today have an overwhelming array of options at their fingertips: New fitness tools, recovery trends, workouts and more that claim to improve performance, speed up recovery or enhance training.
But which of these actually meet the unique demands of dancers? In our new series, "We Tried It," we're going to find out, sampling new health and fitness trends to see if they're dancer-approved.
First up: Brrrn, the cold temperature fitness studio (the first and only of its kind, they claim) located in Manhattan.