Above: Photos of McGregor by Erik Tomasson.
Above left: Headshot of Perron by Matthew Karas.
Although he’s basically a modern dancer, having studied Limón technique and been influenced by Trisha Brown, McGregor has upped the ante for ballet on an international scale. From San Francisco Ballet to New York City Ballet to the Bolshoi and other companies, his exploding of the ballet vocabulary points a direction toward the future. Concerned less with making beautiful ballets than with stimulating bodies and minds, he surges ahead on all fronts, and ultimately the bracing quality of his movement is a kind of beauty in itself.
For our Choreography Issue, we also bring you dancemakers who are stimulating in a different way: They find it intriguing—or necessary—to bring words into their stage picture. In “Word Play” we interview seven choreographers who are especially adept at the dance-and-text genre. Some would call their work “dance theater,” but others would not answer to that term. These dance artists who grapple with the relation of words to movement include Annie-B Parson, an acclaimed master of the form; Ralph Lemon, a hero of experimental dance; and Sean Dorsey, a 2010 “25 to Watch” in the Bay Area.
And just for fun, Adam Hendrickson, former soloist with New York City Ballet, gripes about the razor touch of the tutu’s edge in “Terrible Tulle.” From the audience, we don’t see the hazards the male dancer faces to make his ballerina look elegant. Ah, the hard life of a cavalier.
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?
Inside a bustling television studio in Los Angeles, Lindsay Arnold Cusick hears the words "Five minutes to showtime." While dancers and celebrities covered head to toe in sequins whirl around preparing for their live performances on "Dancing with the Stars," Cusick pauses to say a prayer to God and express her gratitude.
"I know that it's not a given, and I'm grateful for the opportunity to do what I love for a living," says Cusick, a member of The Church of Jesus Christ of Latter-day Saints. For her, prayer is a ritualized expression of her faith that she has maintained since she was a girl in Provo, Utah. Even with her seven-plus years of industry experience, she always takes a moment to steady herself and close her prayer in Christ's name before rushing onto the stage.
The hotly-debated Michael Jackson biomusical is back on. Not that it was ever officially off, but after its pre-Broadway Chicago run was canceled in February, its future seemed shaky.
Now, the show has secured a Broadway theater, with previews starting July 6 at the Neil Simon Theater.
In the October 1969 issue of Dance Magazine, we spoke with Jacques d'Amboise, then 20 years into his career with New York City Ballet. Though he became a principal dancer in 1953, the star admitted that it hadn't all been smooth sailing.