Most people may know Derek Dunn for his impeccable turns and alluring onstage charisma. But the Boston Ballet principal dancer is just as charming offstage, whether he's playing with his 3-year-old miniature labradoodle or working in the studio. Dance Magazinerecently spent the day with Dunn as he prepared for his debut as Albrecht in the company's upcoming run of Giselle.
Afterjoining the Paul Taylor Dance Company in 2010, Michael Novak quickly became a critic's favorite for his quiet power onstage. But no one was more surprised than Novak when Taylor tapped him to be his successor last year, three months before the legendary choreographerdied. Dance Magazinerecently caught up with Novak during the company's appearances at the Orchestra of St. Luke's Bach Festival.
Ellie Cotey at work in The Joffrey Ballet's costume shop. Photo by Temur Suluashvili, Courtesy Joffrey.
Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.