#tbt: Dance Magazine's Tribute Issue Honoring George Balanchine
George Balanchine and members of the New York City Ballet on a 1955 tour to Monte Carlo. Photo courtesy DM Archives
The July 1983 issue of Dance Magazine was dedicated to George Balanchine, who had passed away in April of that year. Our pages were filled with tributes to the choreographer who irrevocably altered the course of American ballet. Dancers from Tamara Toumanova to Alexandra Danilova to Mikhail Baryshnikov contributed reflections, though perhaps critic Edwin Denby summed it up best:
"Dancing is such a momentary impression. Balanchine always said that his ballets are like butterflies: They live for a season. He didn't much like reviving works because he didn't seem to remember them, being much more interested in new things. I have no idea what will become of Balanchine's 'butterflies' now...Tastes change, styles change, techniques change...But we know one very important thing about Balanchine: He changed the way we look at dance."
Pacific Northwest Ballet principals Rachel Foster and Jonathan Porretta took their final curtain call on June 9, 2019. Photo by Lindsay Thomas, Courtesy PNB
We all know dance careers are temporary. But this season, it feels like we're saying goodbye to more stars than usual.
Many have turned to social media to share their last curtain calls, thoughts on what it feels like to say farewell to performing, and insights into the ways that dancing has made them who they are. After years of dedicating your life to the studio and stage, the decision to stop dancing is always an emotional one. Each dancer handles it in their own way—whether that means cheekily admitting to having an existential crisis, or simply leaving with no regrets about what you did for love.
We will miss these dancers' performances, but can't wait to see what awaits each in their next chapters.
A previous lab cycle. Photo by Evan Zimmerman/MurphyMade, Courtesy RRR Creative
Choreographic incubator Broadway Dance Lab has recently been rechristened Dance Lab New York. "I found the nomenclature of 'Broadway' was actually a type of glass ceiling to the organization," says choreographer Josh Prince, who founded the nonprofit in 2012.