Get Lit(erature): Two Famous English Novels Get the Ballet Treatment
Love them or hate them, the ill-fated lovers at the center of Emily Brontë's masterpiece have loads of dramatic potential, and Charlotte Ballet associate artistic director Sasha Janes' new take on the novel is sure to draw on its psychological potency. April 27–29. charlotteballet.org.
Pride and Prejudice
Mr. Darcy might not dance if he can help it, but he and the vivacious Elizabeth Bennet—not to mention the colorful cast of characters in Jane Austen's witty novel—will have excellent reason to do so in American Repertory Ballet's new production. The ballet features choreography by artistic director Douglas Martin and live accompaniment by the Princeton Symphony Orchestra. April 21–22. americanrepertoryballet.org.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.