Murphy's pregnancy announcement has us jumping for joy. Photo by Rosalie O'Connor, courtesy ABT

8 Reasons Why Gillian Murphy Will Be the Coolest Mom

Congratulations are in order for American Ballet Theatre star Gillian Murphy and her husband, former ABT dancer Ethan Stiefel, who are expecting their first child next June!

Murphy announced her pregnancy today on Instagram:

She will not be dancing in the company's upcoming tour or the 2019 Metropolitan Opera House season, but plans to return to the stage next fall.

We have no doubt that Murphy will be the ultimate cool mom. Here's why:


She's already an experienced Aunt. 

Teaching your nephew to fish dive makes you a cool aunt, we think.

She has the sweetest BFF. 

We can only imagine what an amazing aunt/Godmother fellow ABT principal Stella Abrera will be.

She's an Ivy Leaguer.

Well, kinda. Murphy is participating in the first-ever Harvard Business School Crossover Into Business program, along with some of her ABT colleagues.

And a movie star.

Okay, Dad may have had a slightly bigger role in Center Stage, but let us not forget Murphy's brief appearance in the classic dance film.


Congrats, Gillian and Ethan!

Latest Posts


Luke Isley, Courtesy Ballet West

How Do Choreographers Bring Something Fresh to Music We've Heard Over and Over?

In 2007, Oregon Ballet Theatre asked Nicolo Fonte to choreograph a ballet to Maurice Ravel's Boléro. "I said, 'No way. I'm not going near it,' " recalls Fonte. "I don't want to compete with the Béjart version, ice skaters or the movie 10. No, no, no!"

But Fonte's husband encouraged him to "just listen and get a visceral reaction." He did. And Bolero turned into one of Fonte's most requested and successful ballets.

Not all dance renditions of similar warhorse scores have worked out so well. Yet the irresistible siren song of pieces like Stravinsky's The Firebird and The Rite of Spring, as well as the perennial Carmina Burana by Carl Orff, seem too magnetic for choreographers to ignore.

And there are reasons for their popularity. Some were commissioned specifically for dance: Rite and Firebird for Diaghilev's Ballets Russes; Boléro for dance diva Ida Rubinstein's post–Ballets Russes troupe. Hypnotic rhythms (Arvo Pärt's Spiegel im Spiegel) and danceable melodies (Bizet's Carmen) make a case for physical eye candy. Audience familiarity can also help box office receipts. Still, many choreographers have been sabotaged by the formidable nature and Muzak-y overuse of these iconic compositions.

GO DEEPER SHOW LESS