Dancers Trending

In the Spotlight: Sterling Baca's Surprising (And Slightly Scary) Hobby

PC Alexander Iziliaev

In January of 2016, we put a promising American Ballet Theatre corps de ballet dancer named Sterling Baca on our cover as a "25 to Watch." Soon after, he shocked us by announcing he'd be leaving ABT to join Pennsylvania Ballet as a principal.

Since then, Baca's thrived at PAB, becoming one of their most talked about dancers and a face of Angel Corella's new vision for the company. We caught up with him for our "In the Spotlight" series, and he revealed a hobby that made our skin crawl. (No offense, Sterling!)


Name: Sterling Baca

Company: Pennsylvania Ballet

Hometown: Larkspur, Colorado

What do you think is the most common misconception about dancers?
That we don't eat!

PC Alexander Iziliaev

What other career would you like to try?
I've always had a passion for the natural sciences and wildlife, especially insects. I'd enjoy being an arachnologist, but at this point I see myself being a part of this wonderful art form for the rest of my life—with some spider searching on the side.

What was the last dance performance you saw?
ABT's Swan Lake, featuring one of my idols Marcelo Gomes. I watched it specifically to observe Marcelo's mastery of Siegfried to prepare for Angel Corella's production at Pennsylvania Ballet this March.

What's the most-played song on your phone?
Probably "Ride Out" by Schoolboy Q. I listen to music while at the gym, so it's usually hip-hop, rap or reggaeton.

Do you have a pre-performance ritual?
A nap, make-up, a long stretch, a short barre, a couple of jumps and five long, deep breaths.

What's your favorite book?
One Hundred Years of Solitude by Gabriel García Márquez.

Baca with his girlfriend and fellow PAB dancer, Nayara Lopes. Photo via NYC Dance Project.

Where can you be found two hours after a performance ends?
Eating.

Where did you last vacation?
Home in Colorado, visiting family.

What app do you spend the most time on?
Instagram.

Who is the person you most want to dance with—living or dead?
I have had the privilege to dance with incredible dancers at ABT and PAB, and many international guest artists. But dancing with my girlfriend Nayara Lopes is special. Nothing beats looking into the eyes of true love on stage.

What's the first item on your bucket list?
Discovering a new species of spider.

What's your go-to cross training routine?
Swimming, gym time (upper and lower body) and floor barre.

What's the worst advice you've ever received?
"The best thing you could do is just kinda mark the whole thing so you are able to get through it." I would rather fall on my face giving everything I had.

If you could relive one performance, what would it be?
Performing Paris in Sir Kenneth MacMillan's Romeo and Juliet with Alessandra Ferri during my final Met season with ABT. She taught me so much about how to be spontaneous on stage. The final scene, after Romeo kills me in the crypt, I positioned myself to be able to secretly observe her. As soon as I saw her wail in silence over Romeo's dead body, I couldn't help but begin to cry myself. That was the moment I realized what the quintessence of this art form is all about.

Show Comments ()
Cover Story
Alice Sheppard photographed by Jayme Thornton for Dance Magazine

It can be hard to focus when Alice Sheppard dances.

Her recent sold-out run of DESCENT at New York Live Arts, for instance, offered a constellation of stimulation. Onstage was a large architectural ramp with an assortment of peaks and planes. There was an intricate lighting and projection design. There was a musical score that unfolded like an epic poem. There was a live score too: the sounds of Sheppard and fellow dancer Laurel Lawson's bodies interacting with the surfaces beneath them.

And there were wheelchairs. But if you think the wheelchairs are the center of this work, you're missing something vital about what Sheppard creates.

Keep reading... Show less
Breaking Stereotypes
Omar Román De Jesús in rehearsal with Joffrey Academy trainees. Photo by Todd Rosenberg

So far, the fervor to create diversity in ballet has primarily focused on dancers. Less attention has been paid to the work that they'll encounter once they arrive.

Yet the cultivation of ballet choreographers of color (specifically black choreographers) through traditional pathways of choreographic training grounds remains virtually impossible. No matter how you slice it, we end up at the basic issues that plague the pipeline to the stage: access and privilege.

Keep reading... Show less
Get the print edition!
Dancer Voices
Yuka Oba, Ednis Ariel Gomez Mallol and Connie Flachs in Swing by Olivier Wevers. Photo by Ryan Jackson, courtesy Flachs

"I'm sorry, but I just can't possibly give you the amount of money you're asking for."

My heart sinks at my director's final response to my salary proposal. She insists it's not me or my work, there is just no money in the budget. My disappointment grows when handed the calendar for Grand Rapids Ballet's next season with five fewer weeks of work.

Keep reading... Show less
Dancers Trending
"Off Kilter" has real dancers playing dancers. Still courtesy CBC Arts

"It just...always looks better in my head."

While that might not be something any of us would want to hear from a choreographer, it's a brilliant introduction to "Off Kilter" and the odd, insecure character at its center, Milton Frank. The ballet mockumentary (think "The Office" or "Parks and Recreation," but with pointe shoes) follows Frank (dancer-turned-filmmaker Alejandro Alvarez Cadilla) as he comes back to the studio to try his hand at choreographing for the first time since a plagiarism scandal derailed his fledgling career back in the '90s.

We've been pretty excited about the series for a while, and now the wait is finally over. The first episode of the show, "The Denial," went live earlier today, and it's every bit as awkward, hilarious and relatable as we hoped.

Keep reading... Show less
Dance on Broadway
We suspect it will be...a thriller. Giphy

Christopher Wheeldon is going to be giving Michael Jackson some new moves: The Royal Ballet artistic associate is bringing the King of Pop to Broadway.

The unlikely pairing was announced today by Jackson's estate. Wheeldon will serve as both director and choreographer for the new musical inspired by Michael Jackson's life, which is aiming for a 2020 Broadway opening. This will be Wheeldon's second time directing and choreographing, following 2015's Tony Award-winning An American in Paris.

Wheeldon is a surprising choice, to say the least. There are many top choreographers who worked with Jackson directly, like Wade Robson and Brian Friedman, who could have been tapped for the project. Or the production could have even hired someone who actually choreographed on Jackson when he was alive, like Buddha Stretch.

Keep reading... Show less
Popular
Stagestep's Encore hardwood flooring for full-service broadcast production facility, dance center and venue, Starwest, in Burbank, CA.

What is the right flooring system for us?

So many choices, companies, claims, endorsements, and recommendations to consider. The more you look, the more confusing it gets. Here is what you need to do. Here is what you need to know to get the flooring system suited to your needs.

Keep reading... Show less
Dance on Broadway
In rehearsal for Dreamgirls. Photo Courtesy DM Archives.

Broadway musicals have been on my mind for more than half a century. I discovered them in grade school, not in a theater but electronically. On the radio, every weeknight an otherwise boring local station would play a cast album in its entirety; on television, periodically Ed Sullivan's Sunday night variety show would feature an excerpt from the latest hit—numbers from Bye Bye Birdie, West Side Story, Camelot, Flower Drum Song.

But theater lives in the here and now, and I was in middle school when I attended my first Broadway musical, Gypsy—based, of all things, on the early life of the famed burlesque queen Gypsy Rose Lee. I didn't know who Jerome Robbins was, but I recognized genius when I saw it—kids morphing into adults as a dance number progresses, hilarious stripping routines, a pas de deux giving concrete shape to the romantic yearnings of an ugly duckling. It proved the birth of a lifelong habit, indulged for the last 18 years in the pages of this magazine. But all long runs eventually end, and it's time to say good-bye to the "On Broadway" column. It's not the last of our Broadway coverage—there's too much great work being created and performed, and you can count on hearing from me in print and online.

Keep reading... Show less
Get the print edition!
It's already on its way to legendary status. (screenshot via YouTube)

Let's start with the obvious: Over the weekend, Beyoncé and Jay-Z released a joint album, Everything Is Love. Bey and Jay also dropped a video for the album's lead track, which they filmed inside the actual Louvre museum in Paris (as one does, when one is a member of the Carter family). And the vid features not only thought-provoking commentary on the Western art tradition, but also some really incredible dancing.

So, who choreographed this epic? And who are the dancers bringing it to life in those already-iconic bodystockings?

Read the full story at dancespirit.com.

Popular

Travis Wall draws inspiration from dancers Tate McCrae, Timmy Blankenship and more.

One often-overlooked relationship that exists in dance is the relationship between choreographer and muse. Recently two-time Emmy Award Winner Travis Wall opened up about his experience working with dancers he considers to be his muses.

"My muses in choreography have evolved over the years," says Wall. "When I'm creating on Shaping Sound, our company members, my friends, are my muses. But at this current stage of my career, I'm definitely inspired by new, fresh talent."

Wall adds, "I'm so inspired by this new generation of dancers. Their teachers have done such incredible jobs, and I've seen these kids grown up. For many of them, I've had a hand in their exposure to choreography."

Keep reading... Show less
News
MADBOOTS DANCE in MASC. Photo by Scott Shaw, Courtesy Richard Kornberg & Associates

This week, New York City's Joyce Theater presents two companies addressing LGBTQ+ issues.

Keep reading... Show less
Dance Training
Kerollis and students in his 8-week Absolute Beginner Workshop at Broadway Dance Center

When most people think of dance students, they imagine lithe children and teenagers waltzing around classrooms with their legs lifted to their ears. It doesn't often cross our minds that dance training can involve an older woman trying to build strength in her body to ward off balance issues, or a middle-aged man who didn't have the confidence to take a dance class as a boy for fear of bullying.

Anybody can begin to learn dance at any age. But it takes a particular type of teacher to share our art form with dancers who have few prospects beyond fun and fitness a few nights a week.

Keep reading... Show less
Get the print edition!
News
Gina Gibney's organization has grown invaluable to the NYC dance scene. Photo by Scott Shaw, Courtesy Gibney

New York City–based dancers know Gibney. It's a performance venue, a dance company, a rehearsal space, an internship possibility—a Rubik's Cube of resources bundled into two sites at 280 and 890 Broadway. And in March of this year, Gibney (having officially dropped "Dance" from its name) announced a major expansion of its space and programming; it now operates a total of 52,000 square feet, 23 studios and five performance spaces across the two locations.

Six of those studios and one performance space are brand-new at the 280 Broadway location, along with several programs. EMERGE will commission new works by emerging choreographic voices for the resident Gibney Dance Company each year; Making Space+ is an extension of Gibney's Making Space commissioning and presenting program, focused on early-career artists. For the next three years, the Joyce Theater Foundation's artist residency programs will be run out of one of the new Gibney studios, helping to fill the gap left by the closing of the Joyce's DANY Studios in 2016.

Keep reading... Show less
Health & Body
Jay Sullivan Photography, courtesy Julie Granger

Dancers crossing over into the fitness realm may be increasingly popular, but it was never part of French-born Julie Granger's plan. Though Granger grew up a serious ballet student, taking yoga classes on the side eventually led to a whole new career. Creating her own rules along the way, Granger shares how combining the skills she learned in ballet with certifications in yoga, barre and personal training allowed her to become her own boss (and a rising fitness influencer).

Keep reading... Show less

Sponsored

Viral Videos

Sponsored

mailbox

Get Dance Magazine in your inbox

Sponsored

Giveaways