Kotze and her collaborators in rehearsal. Photo by Carolyn Silverman, Courtesy NYLA
Joanna Kotze can twist and lurch in surprising ways. Her rigorous, vigorous, juicy and slightly zany choreography has been gaining attention in recent years. For What will we be like when we get there, she collaborates with dancer Netta Yerushalmy, visual artist Jonathan Allen and composer Ryan Seaton to explore intimacy and all its accompanying fantasies and flaws. New York Live Arts, March 28–31. newyorklivearts.org.
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."