Keone and Mari Madrid's First Full-Length Takes on the Border Wall
Keone and Mari Madrid are hardly strangers to the spotlight. Together, the powerhouse partners have performed in a Justin Bieber music video and on "The Ellen DeGeneres Show," and have choreographed for "So You Think You Can Dance." With around 250,000 subscribers, you could say Keone and Mari are "YouTube famous," but, thanks in part to a successful stint on NBC's "World of Dance" last year, they've become much more than that. Case in point: They're currently co-creating, choreographing and starring in their first full-length production, Beyond Babel. The immersive show will debut in San Diego this month; Keone and Mari hope to eventually take it on tour.
You two are always on the go. Where are you right now?
Keone: We're actually home for a while! This year, we chose not to do much traveling so we could work on the show and a few other projects.
What is Beyond Babel about?
Keone: It's loosely based on a Romeo and Juliet theme. Two lovers from two cultures embark on a forbidden love, and there are a lot of things we want to say alongside that storyline. The seating arrangement will be on bleachers that move forward and backward on motors—that's what makes it immersive.
Mari: We're collaborating with some awesome people, including London Kaye, who's an amazing crochet artist, and the Hideaway Circus production team. We're excited to finally have more than five minutes to tell a story!
So Romeo and Juliet—does that make you two the star-crossed lovers?
Mari: For now, yes.
Photo by Carlo Aranda, Courtesy Matt Ross Public Relations
There are also 12 other dancers. What roles do they play?
Keone: The two groups of people that don't understand each other. We're looking to tell a story about diversity and the separation of mind-set. That's what's happening right now in our culture.
The show opens in San Diego, which is, of course, your hometown. Is that why you wanted it to originate there?
Keone: Yes, but it's more than that. We live right down the road from where the prototypes for the border wall are being built. Part of the story is based around that—about a wall being built between two cultures.
Mari: We want to take a timeless story and interpret it and address the things happening now. It's very powerful to speak on what people are living through and experiencing and reading about.
Earlier you mentioned "a few other projects." What can you tell us about them?
Keone: We've just published an enhanced e-book called Ruth. It's about this old woman who is stuck between two worlds—the one she knows and an alternate universe. It's a nine-chapter multimedia book, so as you go through each chapter, you go from reading to watching videos, all of which incorporate dance.
How did being on "World of Dance" impact your lives and career?
Mari: We were already working professionally and making a living with dance, but the show exposed our work to more people. It also gave us more confidence. We realized people respond to and understand what we're trying to say. If we can make that connection in 90 seconds, we can do it in bigger ways.
Keone: And we found our voice within the storytelling realm. Right now, we're at our physical and creative peaks, so we want to maximize our performance time. We can teach when we're older.
- Keone and Mari Madrid on Their Groundbreaking New Projects ... ›
- "BEYOND BABEL" A New Immersive Dance Show | Trailer - YouTube ›
- Beyond Babel ›
- Keone & Mari Madrid ›
- Keone and Mari Madrid Star in Justin Bieber's "Love Yourself Music ... ›
- Watch Keone and Mari Madrid's Stunning Dance Tribute to Immigrants ›
- Keone Madrid (@keonemadrid) • Instagram photos and videos ›
- Keone & Mari - Home | Facebook ›
- Keone and Mari - YouTube ›
Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.
The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.
As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:
The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.
When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.
The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."
Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.
What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.
So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.
It's not often that a promising choreographer gets to stage work in a world-class theater, on a skillfully-curated program with professional dancers, and with the possibility of winning a substantial cash prize. But at the McCallum Theatre's Palm Desert Choreography Festival, that's been the status quo for over twenty years.
Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.
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On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's first homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.
Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.
When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.
The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.
A recent trip I took to Nashville coincided with the NFL draft. As we drove into town, my Uber driver was a fount of information on the subject.
I learned that there are 32 NFL teams and that the draft takes place over seven rounds. That the team that did the poorest during the previous season gets first pick. That during an earlier event called the scouting combine, the teams assess college football players and figure out who they want.
There is also the veteran combine for "free agents"—players who have been released from their contracts or whose contracts have expired. They might be very good players, but their team needs younger members or ones with a certain skill set. All year round, experienced NFL scouts scan games across the country, checking out players and feeding that information back to the teams. Players' agents keep their eyes on opportunities for their clients which might be more rewarding.
While I sat in the traffic of 600,000 NFL fans I got thinking, is there something ballet could learn from football? Could a draft system improve young dancers' prospects and overall company caliber and contentment?
Despite what you might think, there's no reason for dancers to be afraid of bread.
"It's looked at as this evil food," says New York State–certified dietitian and former dancer Tiffany Mendell. But the truth is, unless you have celiac disease or a gluten intolerance, bread can be a healthy source of carbohydrates—our body's preferred fuel—plus fiber and vitamins.
The key is choosing your loaf wisely.
It can be hard to imagine life without—or just after—dance. Perhaps that's why we find it so fascinating to hear what our favorite dancers think they'd be doing if they weren't performing for a living.
We've been asking stars about the alternate career they'd like to try in our "Spotlight" Q&A series, and their answers—from the unexpected to the predictable—do not disappoint:
"New York City Ballet star appears in a Keanu Reeves action movie" is not a sentence we ever thought we'd write. But moviegoers seeing John Wick: Chapter 3 – Parabellum will be treated to two scenes featuring soloist Unity Phelan dancing choreography by colleague Tiler Peck. The guns-blazing popcorn flick cast Phelan as a ballerina who also happens to be training to become an elite assassin. Opens in theaters May 17.
The Brooklyn-based choreographer Gillian Walsh is both obsessed with and deeply conflicted about dance. With her latest work, Fame Notions, May 17–19 at Performance Space New York, she seeks to understand what she calls the "fundamentally pessimistic or alienating pursuit" of being a dancer. Noting that the piece is "quiet and introverted," like much of her other work, she sees Fame Notions as one step in a larger project examining why dancers dance.
What does Mikhail Baryshnikov have to say to dancers starting their careers today? On Friday, he gave the keynote speech during the graduation ceremony for the inaugural class of the USC Glorya Kaufman School of Dance.
The heart of his message: Be generous.