Larry Keigwin Made Us A Playlist & His Musical Taste Is Just As Fun As His Choreography

If you've ever seen Larry Keigwin's work, you probably guessed that he's a fun guy. His choreography is cheeky and humorous; unexpected and electrifying. And though his aesthetic is decidedly contemporary, there's a touch of that classic modern dance style that makes his partnerships with troupes like Paul Taylor Dance Company and Martha Graham Dance Company so fitting.

His musical taste is pretty similar: eclectic feel-good bops from the contemporary (Justin Bieber) to the classic (Dionne Warwick.) He made us a playlist of the songs that make him move, whether in the studio or in his bedroom:


What He's Doing When He's Listening to These Songs:

"I am most likely dancing 'like nobody is watching' in my bedroom. I listen to this playlist to let go, to warm up, as a motor to generate new moves or to shake up a creative block."

Why He's Always Loved Sheila E's "The Glamorous Life"

"I remember jamming to this song as a teenager. Imagine a 12-year-old boy lip-syncing into a hairbrush....that was me."

Why His Playlists Are So Eclectic

"Variety is the spice of life. I enjoy mixing genres and decades. I like to keep my playlists full of surprises."

On His "Knock On Wood" Nightclub Act

"I actually choreographed to this song and cast one dancer as lightning and another as thunder, both completely covered in body paint."

Latest Posts


Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

GO DEEPER SHOW LESS