PC Joan Marcus, courtesy Boneau/Bryan-Brown

This Month: Mean Girls Finally Makes Its Broadway Debut

She had a varied, flourishing career that included dancing for Lar Lubovitch, touring with the Bad Boys of Dance, and performing at Radio City Musical Hall and in Broadway shows. But Kamille Upshaw really wanted to make Mean Girls happen.

Not because she'd known Reginas or Plastics in high school—at Baltimore School for the Arts, her classmates were too busy pursuing dance, music, or other "artsy things" to form the obnoxious cliques that Lindsay Lohan experiences in the movie. But when the teen comedy by "Saturday Night Live" giants came out in 2004, Upshaw and her friends watched Mean Girls over and over and over. It was "an obsession," she says.


When Upshaw learned there was going to be a stage musical, of course she wanted in. But she was doing Hamilton and couldn't make the invited audition her agency had snagged. So she went to an open call, and got several callbacks. However, she had to skip the final dance call.

She was surprised to learn that director-choreographer Casey Nicholaw, book writer Tina Fey and the other Mean Girls creators wanted her to come in to sing and read for them anyway. They hired her for the lab, and now, a year later, with the show ensconced at the August Wilson Theatre, she's opening a Broadway musical.

PC Joan Marcus, courtesy Boneau/Bryan-Brown

"What makes Mean Girls so special to me," Upshaw says, "is that I finally am a part of a Broadway musical from the ground up—I get to help put together this thing that is now a show." Upshaw had joined the 2012 national tour of Flashdance a couple of weeks in, and got into Hamilton shortly after it opened.

In both cases, she felt simultaneously like an insider and an outsider. "The casts welcomed me," she recalls, "so in a way I was very much part of the original casts. But, for me, if I'm not there before opening, or in the rehearsals, it doesn't feel like I'm part of the opening cast."

This time, she was there from step one, and loving it. Nicholaw, she says, "is really good about knowing when to have fun and when to focus, focus, focus. We are creating a high school onstage," she says. "The cool thing about Mean Girls is how the ensemble functions, as a prominent, important part of the show—we move everything. We are the school."

In one cafeteria scene, the ensemble propels trays and tables around the stage as Grey Henson, the Book of Mormon veteran who plays the acerbic, unabashedly gay Damian, sings "Where Do You Belong?" And, unlike most Broadway ensembles, the Mean Girls crew isn't anonymous. "I'm Rachel Hamilton," she says. "All the women have characters, and a lot of the men, too." They're fleshed out, she adds, "almost as much as the Plastics. And on top of that, we get to dance."

PC Joan Marcus, courtesy Boneau/Bryan-Brown

The style is mostly musical theater hip-hop, Upshaw says. But she hints that Nicholaw, a tap maestro, may have a few surprises up his sleeve. She's more willing to talk about how open he is to input from his dancers. "Casey and his assistants bring in full phrases," she explains. "But then they let us make it our own. We bring the youth into the movement, so it looks like up-to-date hip-hop. We are all in it together."

Having worked with Sergio Trujillo on the Flashdance tour and with Andy Blankenbuehler on Hamilton, she finds that Nicholaw's "mind and vision" remind her of Blankenbuehler, while his "fun, energetic take" resembles that of Trujillo.

It was especially fun when the musical tried out last fall in Washington, DC, and brought her close to home. Upshaw loves having friends and family in the audience. "Yeah," she says, "I suppose I'm a little more nervous—they are my biggest fans and my hardest critics. But when they come, I feel so alive, so good performing for them."

Latest Posts


Houston Ballet's "Dancing With Myself" Captures How We All Feel Right Now

What are dancers to do when they're still stuck at home in isolation? After all, there's only so much time you can spend taking barre, tackling your reading list (or Netflix queue) or ticking items off your to-do list. Even wistfully looking out the window has lost its appeal after a few months.

That's when you need a dance party—even it's for a party of one.

With its latest digital release, Houston Ballet tapped into our stir-crazy desperation and turned it into a celebration for 61 dancers shaking it in everything from PJs to formal gowns. Rehearsed entirely on Zoom and with choreography by artistic director Stanton Welch, "Dancing With Myself," set to the Billy Idol classic, is the #IFeelSeen moment dancers need right about now.