This Month: Mean Girls Finally Makes Its Broadway Debut
She had a varied, flourishing career that included dancing for Lar Lubovitch, touring with the Bad Boys of Dance, and performing at Radio City Musical Hall and in Broadway shows. But Kamille Upshaw really wanted to make Mean Girls happen.
Not because she'd known Reginas or Plastics in high school—at Baltimore School for the Arts, her classmates were too busy pursuing dance, music, or other "artsy things" to form the obnoxious cliques that Lindsay Lohan experiences in the movie. But when the teen comedy by "Saturday Night Live" giants came out in 2004, Upshaw and her friends watched Mean Girls over and over and over. It was "an obsession," she says.
When Upshaw learned there was going to be a stage musical, of course she wanted in. But she was doing Hamilton and couldn't make the invited audition her agency had snagged. So she went to an open call, and got several callbacks. However, she had to skip the final dance call.
She was surprised to learn that director-choreographer Casey Nicholaw, book writer Tina Fey and the other Mean Girls creators wanted her to come in to sing and read for them anyway. They hired her for the lab, and now, a year later, with the show ensconced at the August Wilson Theatre, she's opening a Broadway musical.
PC Joan Marcus, courtesy Boneau/Bryan-Brown
"What makes Mean Girls so special to me," Upshaw says, "is that I finally am a part of a Broadway musical from the ground up—I get to help put together this thing that is now a show." Upshaw had joined the 2012 national tour of Flashdance a couple of weeks in, and got into Hamilton shortly after it opened.
In both cases, she felt simultaneously like an insider and an outsider. "The casts welcomed me," she recalls, "so in a way I was very much part of the original casts. But, for me, if I'm not there before opening, or in the rehearsals, it doesn't feel like I'm part of the opening cast."
This time, she was there from step one, and loving it. Nicholaw, she says, "is really good about knowing when to have fun and when to focus, focus, focus. We are creating a high school onstage," she says. "The cool thing about Mean Girls is how the ensemble functions, as a prominent, important part of the show—we move everything. We are the school."
In one cafeteria scene, the ensemble propels trays and tables around the stage as Grey Henson, the Book of Mormon veteran who plays the acerbic, unabashedly gay Damian, sings "Where Do You Belong?" And, unlike most Broadway ensembles, the Mean Girls crew isn't anonymous. "I'm Rachel Hamilton," she says. "All the women have characters, and a lot of the men, too." They're fleshed out, she adds, "almost as much as the Plastics. And on top of that, we get to dance."
PC Joan Marcus, courtesy Boneau/Bryan-Brown
The style is mostly musical theater hip-hop, Upshaw says. But she hints that Nicholaw, a tap maestro, may have a few surprises up his sleeve. She's more willing to talk about how open he is to input from his dancers. "Casey and his assistants bring in full phrases," she explains. "But then they let us make it our own. We bring the youth into the movement, so it looks like up-to-date hip-hop. We are all in it together."
Having worked with Sergio Trujillo on the Flashdance tour and with Andy Blankenbuehler on Hamilton, she finds that Nicholaw's "mind and vision" remind her of Blankenbuehler, while his "fun, energetic take" resembles that of Trujillo.It was especially fun when the musical tried out last fall in Washington, DC, and brought her close to home. Upshaw loves having friends and family in the audience. "Yeah," she says, "I suppose I'm a little more nervous—they are my biggest fans and my hardest critics. But when they come, I feel so alive, so good performing for them."
As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.
But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.
It's no surprise that dancers make some of the best TED Talk presenters. Not only are they great performers, but they've got unique knowledge to share. And they can dance!
If you're in need of a midweek boost, look no further than these eight presentations from some incredibly inspiring dance artists.
The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?