Misty Copeland Just Posted A Mean Tweet About Herself, And We Love Her So Much For It
Misty Copeland's Instagram feed is usually filled with gorgeous performance shots and inspirational images featuring the many young girls she's inspired.
So we were surprised this morning to see Copeland post two screenshots of a mean tweet about herself:
The tweet refers to a video of Copeland performing Swan Queen last week in Singapore, where she wasn't able to finish her 32 fouettés (she was criticized for doing the same thing when she debuted the role in 2015). Copeland has linked to the video, entitled "Misty Copeland Swan Lake Fouetté Fail," in her Instagram bio.
Why would ballet's biggest star want to promote a video of herself messing up, and a tweet saying that she doesn't deserve to be in American Ballet Theatre?
Because she's bravely proving some important points:
1. Fouettés don't matter.
"A ballerina's career is not, nor should be defined by how many fouettés she executes," Copeland writes. As she says, she's an authentic artist who brings so much more to the role of Swan Queen—or any role—than tricks and technical feats. The point is to move people through the steps; not just to execute them perfectly.
Fellow ABT principal Isabella Boylston puts it best in the comments: "If people come to the ballet only to see fouettés they should just stay home and watch them on YouTube on their couch."
2. She's held to a higher standard than other dancers.
Becoming the first black female principal at ABT wasn't easy. And it didn't come without baggage.
"I understand my position and what I represent," she says. "I know that I'm in a very unique position and have been given a rare platform. All I've ever wanted is to bring ballet to more people and to help to diversify it."
The truth is that principal dancers at prestigious companies mess up all the time. But when other dancers fall out of a turn or flub a step, you usually don't hear people talking about how they don't deserve to be where they are. She's judged more harshly because she's become so famous for being a groundbreaker—and because she's black.
3. Dancers are real people with feelings!
And they'll see the mean tweets you write about them. Have some respect for what they do before judging them on one performance.
(Of course, Copeland is so classy that she thanks her hater for giving her an opportunity to learn from watching video of herself.)
4. Even big stars mess up.
Copeland is a role model to so many, and she takes that responsibility seriously. She's proving that it's okay to acknowledge your failures and imperfections—in fact it makes you stronger. Especially for ballet dancers, it's essential to realize that you don't have to be perfect to be amazing.
We're seriously in awe of Copeland for having the courage to stand up to her haters.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.