NCCAkron is a New Home for Choreographers
For countless dancemakers without their own space, there is no place to call home. Enter the new National Center for Choreography at The University of Akron. Its mission: to support the research and development of new dance by providing choreographers, dance companies, arts administrators and dance writers access to the world-class facilities in the University's Guzzetta Hall and other venues on campus. With seven dance studios, two black-box theaters and main-stage theaters of two different sizes, NCCAkron will provide a place for choreographers to explore the full potential of their creative process.
The Center opened with the support of the University of Akron and a $5 million grant from the John S. and James L. Knight Foundation. This month it will host its first official artist residency when it welcomes choreographer Tere O'Connor, July 17–28.
The Center's founding executive/artistic director, Christy Bolingbroke, says it needs to be adaptable so as not to impose a certain way of working on any artist. One way of doing that is to offer several types of residencies: space, for use of the studio facilities; research, in which choreographers can explore alongside academic scholars; laboratory, in which choreographers and dancers can work without the expectation of a finished project; technical, for dancemakers and/or production designers to experiment in a theatrical venue; and commissioning, where artists receive funds in addition to time and space. The Center, capitalizing on the University of Akron's master's program in arts administration, is also considering what creative residencies for dance administrators could look like.
Overall, the Center is interested in curating dancemakers it can support on a long-term basis. "We are trying to shift the paradigm from just final-product–oriented residencies," says Bolingbroke.
It's a cycle familiar to many: First, a striking image of a lithe, impossibly fit dancer executing a gravity-defying développé catches your eye on Instagram. You pause your scrolling to marvel, over and over again, at her textbook physique.
Inevitably, you take a moment to consider your own body, in comparison. Doubt and negative self-talk first creep, and then flood, in. "I'll never look like that," the voice inside your head whispers. You continue scrolling, but the image has done its dirty work—a gnawing sensation has taken hold, continually reminding you that your own body is inferior, less-than, unworthy.
It's no stretch to say that social media has a huge effect on body image. For dancers—most of whom already have a laser-focus on their appearance—the images they see on Instagram can seem to exacerbate ever-present issues. "Social media is just another trigger," says Nadine Kaslow, a psychologist who works with the dancers of Atlanta Ballet. "And dancers don't need another trigger." In the age of Photoshop and filters, how can dancers keep body dysmorphia at bay?
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.