News

There's a New CATS Film in the Works, And You'll Never Guess Who's Choreographing

The Broadway revival of CATS. Photo by Matthew Murphy

A Jellicle Ball is coming to the big screen, with the unlikeliest of dancemakers on tap to choreograph.

We'll give you some hints: His choreography can aptly be described as "animalistic," though Jellicle cats have never come to mind specifically when watching his hyper-physical work. He's worked on movies before—even one about Beasts. And though contemporary ballet is his genre of choice, his choreography is certainly theatrical enough to lend itself to a musical.


That's right, Royal Ballet resident choreographer Wayne McGregor is working on the new film version of CATS, the Andrew Lloyd Webber musical that you probably either obsessively love or deeply hate. (It's a classic, guys. Don't get me started.)

McGregor announced an audition call yesterday through this mysterious Instagram post:

Some of you are probably asking yourselves, "Do we really need another film version of CATS?" The answer is yes, yes we do. For starters, the 1998 film was a taping of the long-running West End production, so there are far more cinematic possibilities to explore in the Junk Yard. Plus, the recent Broadway revival choreographed by Andy Blankenbuehler introduced a new generation to the magic of Rum Tum Tugger's rotating hips and Mr. Mistoffelees' never-ending turns, and showed that Gillian Lynne's iconic choreography could be updated in inventive ways.

What will McGregor do with CATS' trippy plot and thrice-named characters? We have no clue, but we're dying to find out.

Day in the Life

Most people may know Derek Dunn for his impeccable turns and alluring onstage charisma. But the Boston Ballet principal dancer is just as charming offstage, whether he's playing with his 3-year-old miniature labradoodle or working in the studio. Dance Magazine recently spent the day with Dunn as he prepared for his debut as Albrecht in the company's upcoming run of Giselle.

Dance Training
Rosalie O'Connor, Courtesy Mark Morris Dance Group

You know compelling musicality when you see it. But how do you cultivate it? It's not as elusive as it might seem. Musicality, like any facet of dance, can be developed and honed over time—with dedicated, detailed practice. At its most fundamental, it's "respect for the music, that this is your partner," says Kate Linsley, academy principal of the School of Nashville Ballet.

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The USC Kaufman graduating class with Mikhail Baryshnikov. Gus Ruelas/USC

Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.

Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:

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In Memoriam
Ross Parkes, right, teaching in Shanghai in 1983. Lan-Lan Wang is at left. Courtesy Lan-Lan Wang.

Notable dancer and beloved teacher, Ross Parkes, 79, passed away on August 5, 2019 in New York City. He was a founding faculty member at Taipei National University of the Arts in Taiwan, where he taught from 1984 to 2006. Lin Hwai-min, artistic director of Cloud Gate Dance Theater, said: "He nurtured two generations of dancers in Taiwan, and his legacy will continue."

About his dancing, Tonia Shimin, professor emerita at UC Santa Barbara and producer of Mary Anthony: A Life in Modern Dance, said this: "He was an exquisite, eloquent dancer who inhabited his roles completely."

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