The Broadway revival of CATS. Photo by Matthew Murphy

There's a New CATS Film in the Works, And You'll Never Guess Who's Choreographing

A Jellicle Ball is coming to the big screen, with the unlikeliest of dancemakers on tap to choreograph.

We'll give you some hints: His choreography can aptly be described as "animalistic," though Jellicle cats have never come to mind specifically when watching his hyper-physical work. He's worked on movies before—even one about Beasts. And though contemporary ballet is his genre of choice, his choreography is certainly theatrical enough to lend itself to a musical.


That's right, Royal Ballet resident choreographer Wayne McGregor is working on the new film version of CATS, the Andrew Lloyd Webber musical that you probably either obsessively love or deeply hate. (It's a classic, guys. Don't get me started.)

McGregor announced an audition call yesterday through this mysterious Instagram post:

Some of you are probably asking yourselves, "Do we really need another film version of CATS?" The answer is yes, yes we do. For starters, the 1998 film was a taping of the long-running West End production, so there are far more cinematic possibilities to explore in the Junk Yard. Plus, the recent Broadway revival choreographed by Andy Blankenbuehler introduced a new generation to the magic of Rum Tum Tugger's rotating hips and Mr. Mistoffelees' never-ending turns, and showed that Gillian Lynne's iconic choreography could be updated in inventive ways.

What will McGregor do with CATS' trippy plot and thrice-named characters? We have no clue, but we're dying to find out.

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Studio Bleu students Jaxon Keller, Samantha Halker and Alia Wiggins. Photos by Chris Stark

How Turning Boards and Practice Mats Can Revolutionize Your Dance Training

When it comes to equipment, dancers don't need much—just shoes and whatever can fit in their dance bag. But between rehearsals in the studio and performances on stage, one major piece of equipment often goes overlooked—the floor.

Dancers too often find themselves warming up on the concrete or carpet backstage, or wanting to practice in a location without a proper floor. For years, Harlequin Floors has offered a solution to this problem with its innovative turning board, offering a portable and personal floor that can be flipped between marley and wood. Now, they've revolutionized portability again with their practice mat, offering dancers the option to roll up their own personal floor and sling it over their shoulders like a yoga mat.

We spoke with experts from every corner of the dance industry to see how Harlequin's products have become their everyday essentials:

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