Performances Onstage This Month
NEW YORK CITY
Endless repetition can drive audiences out of the theater, but a gifted choreographer can make watching the same phrase over and over with subtle changes fascinating. Anne Teresa De Keersmaeker is one of those rare ones. Four of her early works from the 1980s are coming to Lincoln Center Festival for a De Keersmaeker marathon that will make her fans deliriously happy: Fase, Elena’s Aria and Rosas danst Rosas—the work that Beyoncé borrowed from for her “Countdown” music video—and Bartók/Mikrokosmos. As a bonus, the Belgian choreographer herself will perform in the first three of these evening-length works. She dances with a poetic inner focus as though immersed in a rhythmic dream. July 8–16, John Jay College. lincolncenterfestival.org.
Above: De Keersmaeker’s Bartók/Mikrokosmos. Photo by Herman Sorgeloos, Courtesy Lincoln Center Festival.
A Change for Sascha
NEW YORK CITY
He is dashing on the Metropolitan Opera House stage, has written eloquently for Dance Magazine and was charismatic on the silver screen in Center Stage. On July 3, when beloved soloist Sascha Radetsky performs the role of Franz in Coppélia, it will be his last dance as a member of American Ballet Theatre. But the innately likeable dancer will keep busy: He’s currently in production as a main character in the TV show “Flesh and Bone,” to air on Starz in 2015. He and his wife, ABT soloist Stella Abrera, will also serve as répétiteurs for the Antony Tudor Ballet Trust. abt.org.
At right: Radetsky in Fancy Free. Photo by Marty Sohl, Courtesy ABT.
Straight From the Horse’s Mouth
DURHAM, NORTH CAROLINA
When choreographers perform their own work, we’re getting an undiluted product—from mind to body to stage. That’s the reward of the On Their Bodies program, July 22–23, at American Dance Festival. Ronald K. Brown, Stephen Petronio, Doug Varone and Shen Wei, who have each carved out their own unique movement languages, will perform self-choreographed solos. (If only there was a woman in the mix, too!) americandancefestival.org.
At left: Ronald K. Brown. Photo by Kurt H. Leggard, Courtesy Evidence.
It’s a simple but compelling experiment: Commission a piece of music, have two choreographers create their own works to it and present them on the same bill. Audiences will be hearing double during the SKETCH 4 | Music Mirror program at ODC Theater, in which Amy Seiwert and Adam Hougland will offer separate interpretations of Kevin Keller’s score. Seiwert, known for her quirky, angular movement, and Hougland, for his innovative narratives, have been housed at ODC for five weeks to prepare. July 24–27. odcdance.org.
At right: Weston Krukow and Sarah Griffin of Amy Seiwert Imagery. Photo by David DeSilva, Courtesy Amy Seiwert Imagery.
See the Music
Mark Morris is a master of translating a musical score into lush dancing. This summer’s Jacob’s Pillow Dance Festival will offer a full week of events that dive into his obsession with melody. Morris himself will lead music seminars, discussions and open company classes. And there will be plenty of performances, too: The Mark Morris Dance Group Music Ensemble will have its own concert and will accompany MMDG in seven programs of newer Morris works—Festival Dance, A Wooden Tree, Crosswalk and Jenn and Spencer. July 21–27. jacobspillow.org.
At left: Domingo Estrada and Michelle Yard in Festival Dance. Photo by Stephanie Berger, Courtesy MMDG.
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
We've been dying to hear more about "On Pointe," a docuseries following students at the School of American Ballet, since we first got wind of the project this spring. Now—finally!—we know where this can't-miss show is going to live: It was just announced that Disney+, the new streaming service set to launch November 12, has ordered the series.