New York Notebook
Transcendent @Bard When Lucinda Childs’ Dance premiered at BAM in 1979, it divided audiences: A small faction threw tomatoes while others cheered. Today it’s considered a seminal work, an ultimate collaboration among the minimalist artists Philip Glass (music), Sol LeWitt (film/décor), and Childs. In the stripped-down choreography, dancers synchronize with their ghosted projections, sometimes dwarfed, […]