A scholar of Russian literature and culture, Dr. Natalie Rouland works for the Kennan Institute, a DC think tank invested in building bridges between the United States and Russia. She also advises The Washington Ballet’s artistic director Julie Kent on staging classical ballets, serving as the company’s first scholar in residence. A native of Lexington, […]
“Julie Kent was my first ballet crush,” Harry Warshaw admits with a shy smile. The curly-haired 17-year-old has just learned a variation from Swan Lake. “I remember watching Center Stage when I was about 10 or 11 just to see her.” Now he is taking technique class with the former American Ballet Theatre star and […]
Roberto Bolle’s rise in ballet reads like a fairy tale—one in which he’s the prince. At 15, he was hand-picked by Rudolf Nureyev to perform with La Scala Ballet, and by 19 he was hired into the company. Two years later, he rose to the rank of principal, and in 2009, he joined American Ballet […]
Seventy one years ago today, a new movie hit theaters: The Red Shoes. For a certain generation of dancers, this was the movie—the one that initially inspired them to step inside the studio. For others, it was the first film they ever saw that finally “got” them. When Moira Shearer’s character Victoria Page answers the […]
New York City–based choreographer and director Jennifer Weber once worked on a project with a strict social media policy: ” ‘Hire no one with less than 10K, period’—and that was a few years ago,” she says. “Ten thousand is a very small number now, especially on Instagram.” The commercial dance world is in a period […]
After almost a decade at The Washington Ballet, Brooklyn Mack has struck out on his own. Last summer, after unsuccessful contract negotiations with the company—now under the direction of Julie Kent—the 32-year-old star decided to go it alone. So far, his full-time freelance career has taken him to Hong Kong, Mexico, Norway, Russia, Georgia (the […]
When George Balanchine’s full-length Don Quixote premiered in 1965, critics and audiences alike viewed the ballet as a failure. Elaborate scenery and costumes framed mawkish mime passages, like one in which the ballerina washed the Don’s feet and dried them with her hair. Its revival in 2005 by Suzanne Farrell, the ballerina on whom it […]
Katherine Barkman’s career reads like a storybook: At 18, she left Pennsylvania and moved to the Philippines to become a principal at Ballet Manila. She danced Juliet, Giselle, Odette/Odile and Kitri, but three years in, it was time for new challenges. Late last year, Barkman joined The Washington Ballet, bringing her scintillating, pure Vaganova technique […]
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