Where is the humor in Agon?
It’s there, in the choreography, but I don’t see it in the dancing. I never really focused on it before, cause there is so much going on in that ballet—the bold lines, the now-thick-now-thin Stravinsky music, the mathematics of trios, quartets, and duos. And it’s such an iconic ballet as a landmark of Balanchine’s style. […]