These Are the Performances Our Readers Loved the Most This Year

We asked you for nominations, compiled your suggestions and had you vote on your favorites. Here's what you chose:


Best Viral Video

Winner: "Kids Meet a Ballerina," featuring Pacific Northwest Ballet's Elle Macy

Other Nominees:

• Syncopated Ladies' "Everybody Mad" Beychella cover

• Ballet Nacional de España's performance at Oteyza fashion show

• "Doomed," featuring RubberLegz and James Gregg

Most Moving Performance

DESCENT. Photo by Jay Newman, courtesy Kinetic Light

Winner: Alice Sheppard/Kinetic Light in DESCENT

Other Nominees:

• Dance Theatre of Harlem and artists from Collage Dance Collective in

Geoffrey Holder's Dougla

• National Ballet of Canada in John Neumeier's Nijinsky

• The Royal Ballet in Liam Scarlett's Swan Lake

Coolest Collaboration


Winner: TU Dance and Bon Iver's Come Through

Other Nominees:

• Menil Collection, Houston Ballet and the Merce Cunningham Trust's Merce Cunningham Dance and Concert, Arrivals and Departures: Cage, Cunningham, and Johns

• Sonya Tayeh and The Bengsons' you'll still call me by name

• The Joffrey Ballet and Lyric Opera of Chicago's Orphée et Eurydice

Best Dance Documentary


Winner: Ballet Now, directed by Steven Cantor

Other Nominees:

Gravity Hero, directed by Trey McIntyre

Bobbi Jene, directed by Elvira Lind

Most Inventive New Work

Winner: Odeon, by Ephrat Asherie Dance

Other Nominees:

GAY GUERRILLA/for julius, by MADBOOTS DANCE

Paramodernities, by Netta Yerushalmy

Silent Scream, by Olivier Wevers; performed by Whim W'Him

• Keone and Mari Madrid's e-book, Ruth

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Studio shots by Alinne Volpato

Jovani Furlan's Open-Hearted Dancing—And Personality—Lights Up New York City Ballet

Something magical happens when Jovani Furlan smiles at another dancer onstage. Whether it's a warm acknowledgment between sections of Jerome Robbins' Dances at a Gathering or an infectious grin delivered in the midst of a puzzle box of a sequence in Justin Peck's Everywhere We Go, whoever is on the receiving end brightens.

"I could stare at him forever," says New York City Ballet principal Megan Fairchild. "He's just that kind of open spirit. He's not judging anything. It's like he's looking at you with his arms wide open and a big smile—even if he's not smiling, that's the energy he's giving you."

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