Is It Time to Rethink Your Audition Approach?
In your wellness workshop at The Ailey School, you suggested that a way to attend a lot of auditions after graduation (without getting depressed) was to see each one as a free class. It worked. I can't remember how many jobs I've tried out for, but I managed to stay hopeful and finally landed a full-time position. Thank you!
—Grateful Dancer, Newark, NJ
Congratulations! It pays to stick with your goals and move forward despite the ups and downs that come with auditions. Research by psychologist Angela Lee Duckworth at the University of Pennsylvania defines this characteristic as "grit," a mix of passion, perseverance and stamina that accounts for success in every profession. The key is to stay motivated. Seeing auditions as extra training (often at no cost) gels with your desire to progress without putting your self-esteem at risk.
Send your questions to Dr. Linda Hamilton at email@example.com.
Jennifer Kahn knew the theater industry could do better. As a professional stage manager for 17 years she worked on regional, off-Broadway and Broadway shows. Nearly each time a show closed, something unsettling happened: "I would watch them throw away our shows. All of the beautiful artwork by my friends in the paint shop would go in the trash." The elaborate backdrops? Gone.
But she had an idea: What if the material used in the backdrops and legs could be upcycled into something new? And what if theater lovers could literally keep a piece of a beloved show?
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
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New York City Ballet principal Sara Mearns wasn't sure she was strong enough. A ballerina who has danced many demanding full-length and contemporary roles, she was about to push herself physically more than she thought was possible.
"I said, 'I can't. My body won't,' " she says. "He told me, 'Yes, it will.' "
She wasn't working with a ballet coach, but with personal trainer Joel Prouty, who was asking her to do squats with a heavier barbell than she'd ever used.