Paris Opéra Ballet Revokes Sergei Polunin's Invitation to Guest Star
Sergei Polunin, whose recent homophobic and sexist Instagram posts have sparked international outrage, will not be appearing with the Paris Opéra Ballet as previously announced.
POB artistic director Aurélie Dupont sent an internal email to company staff and dancers on Sunday, explaining that she did not share Polunin's values and that the Russian-based dancer would not be guesting with the company during the upcoming run of Rudolf Nureyev's Swan Lake in February.
This decision comes in response to numerous complaints, including those expressed by POB dancers online and during management meetings. French ballet fans have also been eager to weigh in on the controversy. Some argue that the POB is largely financed by the French federal government and that Polunin does not reflect "French law or values."
Other balletgoers who had hoped to catch a glimpse of the international star expressed disappointment. But even Polunin's talent has been called into question by some commenters who speculate that without a home company, the dancer isn't preparing for performances well and can't be relied upon to produce the same results that first delighted audiences at The Royal Ballet.
POB has not yet named a replacement for Polunin in the role of Prince Siegfried. However, a cast of accomplished étoile dancers that will appear in the production has been announced on the company's website. For the time being, the list does not specify the role each dancer will perform.
Dupont's decision to stage Swan Lake without Polunin is yet another sign that the ballet world is changing. Numerous international companies are currently striving to create a respectful and healthy working environment for all dancers. If being uninvited by the POB is any indication, Polunin will increasingly struggle to find collaborators who are willing to accept his erratic behavior and hateful outbursts.
Essential oils sometimes get a bad rap. Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do. But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."