Ballet's Bad Boy Sergei Polunin Is Back in This New Video

Ukrainian ballet dancer Sergei Polunin doesn't appear to have completely shed his bad-boy skin. A new video from Rankin Hunger Magazine, "Sergei x Rankin," shows us what happens when Polunin is given total freedom to explore his tendency for raw, emotional movement. Paired with British photographer Rankin, the duo creates a captivating video that explores our primal need for unrestrained expression set to an alternative rock soundtrack by Husky Loops.


The video opens with Polunin lying in a cage on the floor of a dark room. As the electric guitar joins in, Polunin is unleashed. The next two minutes are imagery overload, and all the while Polunin's stunning classical technique pervades the chaos. The video plays with silhouettes and shadows (and our emotions, if we're being honest). One minute Polunin is stuffed inside a tiny cage and the next he's gracing us with those gravity-defying jumps we saw in the viral "Take Me to Church" video. His reckless abandon married with Rankin's eye-catching videography is a match made in heaven and leaves us wondering, "What's holding us back?"

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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