Bullies sometimes excuse their own behavior by saying they're just strict. But there's a difference. Photo by Thinkstock

Is Your Teacher A Bully Or Just Strict? 10 Ways to Tell The Difference

A few months ago, your teacher snapped at you for smiling too much. Today, you're keeping your expression neutral when your teacher abruptly cuts the music and walks over to you, pretending to knock on your forehead. "Hello? Is anyone in there? Your face is always blank." Your classmates look just as frozen as you feel, their eyes darting back and forth between you and your teacher until the music resumes and class goes on.

Being bullied by a dance teacher can be painful—and confusing. You may have more questions than answers. What's happening? Am I just too sensitive? Is this really bullying?


Teachers who bully often handwave their behavior as "strict teaching." However, there is a difference: Strict teachers build students up, while bullying teachers tear students down.

bullying teachers Strict teachers build students up; bullying teachers tear them down. Photo by Natalia Figueredo/Unsplash

"Teaching is about imparting skills, technique and knowledge to students. Some teachers do that with an open and relaxed manner, while others prefer structure and strictness," says psychologist Dr. Deborah Serani. "Benign strict teaching can be an effective way to instruct. However, when teaching becomes more aggressive, demeaning and hurtful, that is not teaching—it's bullying."

Physical abuse is always inappropriate, but bullying doesn't have to be physical to be damaging. Helena Wulff, a professor and the deputy head of the department of social anthropology at Stockholm University, has witnessed many student-teacher interactions while researching the international culture of dance. She identifies "negative tone and wording, slapping, or picking on one student in particular" as behaviors that cross the line.

Not sure where your teacher's behavior falls? These signs can help you recognize whether they've gone too far.

Red Flag: Your teacher’s behavior benefits them, not you.

Bullies hurt others in order to gain something. Students afraid their teacher will call them "quitters" are more likely to continue paying for classes. A choreographer who screams at dancers will receive prompt and frightened obedience. A studio director who publicly humiliates students attains a feeling of power over their community.

Responsible authority figures help students gain skill and discipline; bullying authority figures hurt and manipulate students to benefit themselves.

Strict teachers have high standards, but the behavior is for the benefit of the student. Photo by Vadim Fomenok/Unsplash

Red Flag: Your teacher repeatedly targets specific students.

Teachers are only human, and may occasionally snap at a student or berate the class. Bullying, on the other hand, is an ongoing pattern of behavior that targets a specific student or group of students by manipulating, mocking, excluding, humiliating, controlling, ignoring or lying to them.

Red Flag: Rules and consequences are unofficial or unreasonable.

A healthy studio environment has established rules—and reasonable consequences for breaking them. A bullying teacher may have irrational penalties for poorly-defined transgressions like "disrespect," or give informal punishments like public humiliation or the silent treatment.

Red Flag: Reprimands are used to attack rather than educate.

"Good teaching is a pattern of 'caring' with encouragement and kindness, but allows for a teacher's specific reactions to the work of students who are repeatedly not doing what they are capable of," says Myron Howard Nadel, a professor of dance at the University of Texas at El Paso. If a teacher needs to reprimand a student, their words should be "meted out judiciously, not out of anger, but love; certainly not for a teacher's misplaced self-gratification."

Red Flag: Your teacher is preventing you from learning.

Some bullying teachers target students by giving them less rehearsal time, fewer corrections or no chance to finish class combinations. Since dance skill grows primarily through practice, consistently preventing students from practicing is a powerful way of harming their dance training.

If punishments hurt your ability to learn, a teacher's behavior has crossed the line into bullying. Photo by Ahmed Odeh/Unsplash

Red Flag: When other adults are in the room, your teacher behaves differently.

Strict teachers have nothing to hide: There's no reason they can't assign students sit-ups or remind them to point their feet in front of other adults. Bullies tend to conceal the extent of their bullying by using their most abusive behaviors when no other adults are present.

Red Flag: There’s pressure to remain at the studio.

The most effective way to protect yourself from a bullying situation is to leave it. Implying that students who leave the studio are "quitters" or "traitors" discourages targeted students from walking away, and helps teachers maintain enrollment through fear rather than solid teaching.

Red Flag: You’re struggling with body image issues or disordered eating.

In dance, bullying is often combined with body type judgement. While dancers and teachers may need to talk about structural characteristics like musculature or range of extension, pressuring students about weight or eating is never appropriate. "As an arts administrator in a college, I've had to scold a ballet teacher more than once for forcing female students to lose weight," says Nadel. "Several of those students had been in counseling for anorexia."

Red Flag: Confronting your teacher makes the problem worse.

A bully who feels they are being "questioned"—no matter how respectful your approach—is likely to retaliate. This doesn't mean no one should address their behavior, but it's safer to tell another teacher or studio administrator rather than confront the teacher yourself.

"Know that if you're being bullied, it's likely other students receive this kind of abusive behavior, too," says Serani. "Seek them out and share your experiences. Talking about your victimization can help you feel less alone about the abuse. It's important to report any bullying to others, be it a friend or a loved one—and to administration."

Red Flag: You feel anxious, ashamed, or constantly “on guard” outside of class.

Bullying authority figures may dismiss their behavior as "how the real world works," but they're actually undermining students' professionalism. An abusive studio environment trains students to use submissive body language, feel ashamed of their appearance and abilities, and remain on guard against the constant threat of mistreatment—all behaviors that make it harder to navigate school, relationships and the professional world.

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Courtesy Harlequin

What Does It Take to Make a Safe Outdoor Stage for Dance?

Warmer weather is just around the corner, and with it comes a light at the end of a hibernation tunnel for many dance organizations: a chance to perform again. While social distancing and mask-wearing remain essential to gathering safely, the great outdoors has become an often-preferred performance venue.

But, of course, nature likes to throw its curveballs. What does it take to successfully pull off an alfresco show?

Marisa Grywalski and Alejandro Diaz in Dwight Rhodens "Ave Maria," part of PBT's Open Air Series last fall.

Kelly Perkovich, Courtesy Pittsburgh Ballet Theatre

Keeping dancers safe outside requires the same intentional flooring as you have in the studio—but it also needs to be hearty enough to withstand the weather. With so many factors to consider, two ballet companies consulted with Harlequin Floors to find the perfect floor for their unique circumstances.

Last fall, Pittsburgh Ballet Theatre invested in a mobile stage that allowed the dancers to perform live for socially distanced audiences. "But we didn't have an outdoor resilient floor, so we quickly realized that if we had any rain, we were going to be in big trouble—it would have rotted," says artistic director Susan Jaffe.

The company purchased the lightweight, waterproof Harlequin's AeroDeck® sprung floor panels and the heavy-duty Harlequin Cascade™ vinyl, which is manufactured with BioCote® Antimicrobial Protection to help with the prevention of bacteria and mold. After an indoor test run while filming Nutcracker ("It felt exactly like our regular floor," says Jaffe), the company will debut the new setup this May in Pittsburgh's Schenley Park during a two-week series of performances shared with other local arts organizations.

Pittsburgh Ballet Theatre's Open Air Series last fall. The company plans to roll out their new Harlequin AeroDeck® sprung floor panels and Harlequin Cascade™ vinyl floor for more outdoor performances this spring.

Harris Ferris, Courtesy Pittsburgh Ballet Theatre

In addition to the possibility of rain, a range of temperatures also has to be taken into account. When the State Ballet of Rhode Island received a grant from the state to upgrade its 15-year-old stage, executive director Ana Fox chose the Harlequin Cascade vinyl floor in the lighter gray color "so that it would be cooler if it's reflecting sunlight during daytime performances," she says.

However, for the civic ballet company's first performance on its new 24-by-48–foot stage on November 22, heat was less of a concern than the Northeastern cold. Fortunately, Fox says the surface never got icy or too stiff. "It felt warm to the feel," she says. "You could see the dancers didn't hesitate to run or step into arabesque." (The Harlequin Cascade floor is known for providing a good grip.)

"To have a safe floor for dancers not to worry about shin splints or something of that nature, that's everything," she says. "The dancers have to feel secure."

State Ballet of Rhode Island first rolled out their new Harlequin Cascade™ flooring for an outdoor performance last November.

Courtesy of Harlequin

Of course, the elements need to be considered even when dancers aren't actively performing. Although Harlequin's AeroDeck is waterproof, both PBT and SBRI have tarps to cover their stages to keep any water out. SBRI also does damp mopping before performances to get pollen off the surface. Additionally, the company is building a shed to safely store the floor long-term when it's not in use. "Of course, it's heavy, but laying down the floor and putting it away was not an issue at all," says Fox, adding that both were easy to accomplish with a crew of four people.

Since the Harlequin Cascade surface is versatile enough to support a wide range of dance styles—and even opera and theater sets—both PBT and SBRI are partnering with other local arts organizations to put their outdoor stages to use as much as possible. Because audiences are hungry for art right now.

"In September, I made our outdoor performance shorter so we wouldn't have to worry about intermission or bathrooms, but when it was over, they just sat there," says Jaffe, with a laugh. "People were so grateful and so happy to see us perform. We just got an overwhelming response of love and gratitude."

Marisa Grywalski and Alejandro Diaz in Susan Jaffes "Carmina Terra," part of PBT's Open Air Series last fall.

Kelly Perkovich, courtesy Pittsburgh Ballet Theatre

February 2021