"We have to decide between taking any work that pays the bills or living on a shoestring budget to dedicate our whole focus towards our next dream job," writes Barry Kerollis about his transition out of performing. Photo by Eduardo Patino, Courtesy Kerollis
Having begun my dance career in my late teens, I successfully bypassed the student debt many Americans face when they take out loans for college. For seven seasons, I had a cushy job dancing in the corps at Pacific Northwest Ballet. During that time I put nearly $50,000 towards my 401(k), saved an additional $10,000 in my bank account and used a dancer-run grant program to fund my associate of arts degree with a business focus from a local community college. I was proud of my fiscal responsibility and felt that I could easily survive a financial shortfall. But I had no idea how much debt I would accrue as I transitioned from performing to teaching and choreographing.
What lengths would you go to in order to further your dance career? For some of us, we're willing to build our life and work in two separate cities to make our wildest dreams come true.
I recently learned that there is a term for people like me who travel between two major metropolitan areas. We "super commuters" make the choice to ride regional buses and trains up to six hours round-trip, multiple times a week, in hopes of furthering our careers while maintaining our lifestyles and affordable rents.
This ambitious career style is not for the faint of heart.