A bevy of intriguing premieres, international companies debuting or returning stateside, Broadway-bound musicals that turn what’s expected on the Great White Way on its head—the 2022–23 performance season promises to be full of surprises.

For 25 years, Bijayini Satpathy had been a dancer and teacher at Nrityagram, a community in southern India devoted to the study and performance of Odissi. Instead of her planned solo tour last year, she entered a period of intensive creativity and self-discovery.

Maybe even more than most industries, the dance field is obsessed with youth. We fawn over prodigies, we love to predict the next big thing. Yes, Dance Magazine itself is 100 percent guilty of this, with features like “25 to Watch” and On the Rise. But just because a performing career can be short doesn’t […]