Ballet Unbound: SFB's 17-Day Festival Asks Where the Art Form is Headed

The ballet world will converge on San Francisco this month for San Francisco Ballet’s Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events. “Ballet is going through changes,” says artistic director Helgi Tomasson. “I thought, What would it be like to bring all […]

How the Roles We Dance Shape Who We Become

As a kid, I often had trouble getting any words out the way I really wanted to. I developed a fantasy where I could find each character from each story I read within myself, and use them to communicate. I was always “Evan,” but embodying different characters broadened the way I could connect with people. […]

Thanks to PBS, Everyone Can Get a Glimpse of Wheeldon's Buzzy New Nutcracker

Christopher Wheeldon’s new Nutcracker for the Joffrey Ballet was huge news when it premiered last winter. The choreographer shifted the setting from the home of a well-off German family to the Chicago world’s fair, making the hero the young daughter of a working-class, Polish immigrant sculptress. This month, WTTW Chicago, the city’s public broadcasting station, […]

The Stars and Stories Hitting Broadway Stages This Year

The closing months of the 2016–17 season brought a glut of extraordinary music and dance to Broadway’s stages, and the superabundance has left 2017–18 looking a bit anemic. Partly it’s real estate—there are only so many Broadway theaters; in June, nearly three dozen were occupied. The only musical scheduled to open this summer was Prince […]

You HAVE to See Tiler Peck Dancing to Charlotte OC's "Medicine Man"

We love when singers team up with dancers for a music video—especially when it turns out to be as mesmerizing as Charlotte OC’s “Medicine Man,” featuring New York City Ballet principal Tiler Peck. Christopher Wheeldon completed the music video dream team, his choreography perfectly matching Charlotte OC’s moody lyrics and music. Though the movement (and […]

Choreography's Constantly Shifting Role on Broadway

I first got hooked on Broadway musicals as a preteen at Gypsy, with its tapping moppets, gyrating burlesque queens and Tulsa, the dancing heartthrob. I’ve been going ever since, but Dance Magazine has been at it even longer. The 1926-27 Broadway season was just ending when DM began publication, and of its 200-plus shows, dozens […]

What It's Like to Be Christopher Wheeldon's Right Hand Man

While still in the corps of New York City Ballet, Jason Fowler was drawn to the role of répétiteur. “Ballet mistress Rosemary Dunleavy was my rock in the company,” he says. Fowler loved the process: learning steps quickly and absorbing the choreographer’s intentions. He knew early on he wanted to nurture dancers through the rehearsal […]

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