Just a few months out from giving birth, Vishneva's performance schedule is jam packed. Photo via www.mariinsky-theatre.com
Diana Vishneva has had a very big year. In 2017, she retired from American Ballet Theatre, performing Onegin with the company one last time, accompanied by her longtime partner Marcelo Gomes. Then, in September, she opened a ballet studio in her home city of St. Petersburg called CONTEXT Pro. Soon after, she marked the fifth edition of her festival of contemporary dance, CONTEXT, with two weeks of performances, workshops and talks in Moscow and St. Petersburg. But the biggest event came several months later, with the birth of her first child. (As she points out with some satisfaction, the timing was perfect—she didn't have to cancel a single engagement.)
The pregnancy allowed Vishneva to step back from an international career that has kept her constantly on the move for the better part of the last two decades. The ballet world receded from her consciousness, but not for long. We spoke in New York, where she resides part of the year, just as she was gearing up for the first of a series of performances and projects. The day after our chat, her son would turn 100 days old.
Part of the reason we chose international ballet star Diana Vishneva as one of our Dance Magazine Awardees this year is because she's always been an innovator. Before it was normal for ballet dancers to travel the world guesting for numerous companies, Vishneva, who began at the Mariinsky Ballet and later became a principal at American Ballet Theatre, was doing it. Today, she's opened a new chapter of her career by departing ABT and devoting more time to her CONTEXT Festival in Russia. But she's still innovating, commissioning her first original work for the festival this year and creating programming aimed at developing contemporary choreographers in Russia. We caught up with her to hear how the 2017 festival is shaping up: