This month’s performance calendar packs some serious punch, with a landmark anniversary, a jazzy new Broadway production, and a bevy of premieres examining deep questions about humanity and society. Here’s what grabbed our attention.

An American company crossing the pond for the first time, festivals centering Asian dancemakers, premieres responding to colonization, transgender identity, audience relationships, and more—the performance landscape over the next two months is overflowing with possibility. Here’s what’s at the top of our lists.

Here are the latest promotions, appointments and departures, as well as notable awards and accomplishments, from December 2022 and the first week of January 2023.

New works, well-known music and—of course—The Nutcracker: There are plenty of performances to choose from as the winter holidays approach. Here are seven that caught our eye this month.

April’s performance calendar is filled with happy returns, from Broadway once again welcoming Camille A. Brown to a fresh cohort of contemporary artists at Danspace Project for its Platform 2022. Here’s what’s piqued our interest.

With the circumstances created by the pandemic changing from day to day, looking to the future right now can feel particularly fraught, if not downright farcical. But in the face of so much uncertainty, pausing to celebrate the good news when it comes is as important as it’s ever been. Here are the latest promotions […]

It’s a short month, but February is jam-packed. From a double-helping of Anne Teresa De Keersmaeker to a long-absent Balanchine solo created for the late Paul Taylor, here are the shows that most piqued our interest. The Lost Episode Michael Trusnovec Erin Baiano, Courtesy NYCB NEW YORK CITY When Martha Graham and George Balanchine collaborated […]

The Brooklyn-based choreographer Gillian Walsh is both obsessed with and deeply conflicted about dance. With her latest work, Fame Notions, May 17–19 at Performance Space New York, she seeks to understand what she calls the “fundamentally pessimistic or alienating pursuit” of being a dancer. Noting that the piece is “quiet and introverted,” like much of […]